- Nominated for 1 BAFTA Film Award. Another 3 wins & 32 nominations.
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Cast verified as complete
Sarah White | ... |
Museum Cleaning Woman
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Liam Thomas | ... |
Museum Workman
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Sam Parks | ... |
Curator
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Kate Winslet | ... |
Mary
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Gemma Jones | ... |
Molly Anning
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Fiona Shaw | ... |
Elizabeth Philpot
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Claire Rushbrook | ... |
Eleanor Butters
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Alec Secareanu | ... |
Dr. Lieberson
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James McArdle | ... |
Roderick Murchison
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Saoirse Ronan | ... |
Charlotte Murchison
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Nick Pearse | ... |
Three Cups' Waiter
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Victoria Elliott | ... |
Three Cups' Maid
(as Victoria Elliot)
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Beatrice Curnew | ... |
Party Guest
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Susie Baxter | ... |
Party Guest
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Gethin Alderman | ... |
Party Guest
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Robert Purdy | ... |
Party Guest
(as Robert J. Purdy)
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Max Dowler | ... |
Party Guest
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Paul Dodds | ... |
Party Guest
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John Mackay | ... |
Fine Gentleman
(as John MacKay)
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Mladen Petrov | ... |
David the Postman
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Wendy Nottingham | ... |
Charlotte's Maid
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David Juritz | ... |
Musician
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Ben Hancox | ... |
Musician
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James Boyd | ... |
Musician
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Peter Gregson | ... |
Musician
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Rest of cast listed alphabetically: | |||
Antony Barlow | ... |
Dock Worker (uncredited)
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Pierre Bergman | ... |
Museum Gentleman (uncredited)
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Sandra Capel | ... |
Elderley Villager (uncredited)
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David Cromarty | ... |
Dock Worker (uncredited)
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Nick Davison | ... |
Dock Worker (uncredited)
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Juliet Guiness | ... |
Fishwife (uncredited)
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Leon Howe | ... |
Greengrocer (uncredited)
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Robert Jarvis | ... |
Dock Worker (uncredited)
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Robin Lee | ... |
Shopkeeper (uncredited)
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Keith Lomas | ... |
Museum Gentleman (uncredited)
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Gail Taplin | ... |
1840s Period Village Woman (uncredited)
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Directed by
Francis Lee |
Written by
Francis Lee | ... | (written by) |
Produced by
Katherine Bridle | ... | associate producer |
Mary Burke | ... | executive producer |
Iain Canning | ... | producer (p.g.a.) |
Fodhla Cronin O'Reilly | ... | producer (p.g.a.) |
Nicky Earnshaw | ... | co-producer |
Rose Garnett | ... | executive producer |
Simon Gillis | ... | executive producer |
Robert How | ... | co-producer (as Rob How) |
Zygi Kamasa | ... | executive producer |
Emile Sherman | ... | producer (p.g.a.) |
Music by
Volker Bertelmann | ||
Dustin O'Halloran |
Cinematography by
Stéphane Fontaine | ... | director of photography |
Editing by
Chris Wyatt |
Editorial Department
Helena Beeson | ... | assistant editor |
Scott Clements | ... | assistant editor |
Isabelle Julien | ... | colorist |
Caite Ni'Ceileachair | ... | post production paperwork |
Andy Penfold | ... | on-line editor |
David Turner | ... | digital intermediate head of department |
Magdalena Turnier | ... | digital intermediate assistant |
Marie Valentino | ... | digital intermediate producer |
John Weeks | ... | assistant editor |
Casting By
Fiona Weir |
Production Design by
Sarah Finlay |
Art Direction by
Grant Bailey | ||
Guy Bevitt | ||
Bill Brown | ||
Richard Field | ... | supervising art director |
Set Decoration by
Sophie Hervieu |
Costume Design by
Michael O'Connor |
Makeup Department
Laura Blount | ... | crowd hair and makeup artist daily |
Robert Frampton | ... | hair and makeup: daily |
Ivana Primorac | ... | hair designer / makeup designer |
Rebecca Robinson | ... | crowd hair and makeup junior daily |
Charlotte Rogers | ... | key hair stylist / key makeup artist |
Fiona Rogers | ... | crowd makeup supervisor |
Rosie Sinfield | ... | hair stylist / makeup artist |
Lucy Willis | ... | crowd hair and make-up artist |
Production Management
Deborah Harding | ... | post-production supervisor |
Emma Harrison | ... | unit manager: Dorset |
Polly Jefferies | ... | production supervisor |
Billiejo Jerrom | ... | assistant unit manager |
Olivia O'Brien | ... | assistant unit manager: Dorset |
Second Unit Director or Assistant Director
Lucy Andrews | ... | third assistant director |
Scott Claydon | ... | crowd third assistant director |
Celeste Nusch Harper Davis | ... | floor runner |
Simon Hedges | ... | first assistant director |
Gemma Nunn | ... | second assistant director |
Camilla Southwell | ... | crowd second assistant director |
Art Department
Katie Adamson | ... | production buyer |
Jess Alexander | ... | graphic designer |
Hazel Spencer Chapman | ... | scenic painter (creditOnly) |
Sam Farr | ... | set dresser |
Natalie Forsythe | ... | prop storeman |
Ellena Francis | ... | props trainee |
Josh Hartnett | ... | dressing props |
Chloe James | ... | assistant buyer |
India Jaques | ... | assistant art director |
Dina Karklina | ... | construction manager |
Tony Knight | ... | props |
Sara Kuna | ... | art department assistant |
Rowan Laidlaw | ... | clearance coordinator |
Veronique Langdon | ... | dressing props |
Tihamer Laszlo | ... | carpenter |
Kitty Lower | ... | art department assistant / work experience |
Georgina Millett | ... | graphic designer |
Nancy O'Connor | ... | prop painter |
Paddy Paddison | ... | standby art director |
David Pearce | ... | plasterer |
Adam Pierson | ... | Greens Supervising Standby |
George Price | ... | set dresser |
Ewan Robertson | ... | prop master |
Lucien Sands | ... | dressing props |
Olivia Somary | ... | food stylist |
Chloe Taylor | ... | assistant production buyer |
Tim Timmington | ... | hod painter |
Rebecca Todd | ... | assistant set decorator |
Cara Walker | ... | petty cash buyer |
Charlotte Brady | ... | trainee standby props (uncredited) |
Simon Sweeney | ... | greens supervisor (uncredited) |
Sound Department
Lewis Birds | ... | sound maintenance |
Johnnie Burn | ... | re-recording mixer / sound designer / supervising sound editor |
Phil Cape | ... | production sound mixer |
Simon Carroll | ... | assistant sound editor |
Caoimhe Doyle | ... | foley artist |
Brendan Feeney | ... | sound editor |
Lauren Healey | ... | sound trainee |
Harry Jones | ... | sound mix technician |
Ciara Mahon | ... | foley recording assistant |
Jonathan Reynolds | ... | foley recording mixer |
Ashley Smith | ... | sound mix technician |
Dan Turner | ... | mix technician |
David Turner | ... | sound post facility head of department |
Special Effects by
Dan Vico | ... | special effects technician |
Massimo Vico | ... | special effects supervisor / special effects |
Chris Watson | ... | special effects technician |
Visual Effects by
Mick Abela | ... | visual effects coordinator: dupe vfx |
Earle Stuart Callender | ... | bidding producer: One of Us |
Tom Cowlishaw | ... | 3d generalist: One of us |
Aimee Dadswell | ... | visual effects executive producer: One Of Us |
Brooke Danit | ... | digital compositor (as Danit Klibansky) |
Sarah Downey | ... | digital compositor |
Paddy Eason | ... | visual effects supervisor: Dupe VFX |
Marta Gargano | ... | digital compositor |
Jenny Gauci | ... | roto/prep supervisor: One of Us |
Vincent Goodsell | ... | visual effects artist |
Alison Griffiths | ... | visual effects producer |
Scott Hinchcliffe | ... | visual effects artist |
Hannah Johnson | ... | visual effects line producer: one of us |
Jacopo Landi | ... | visual effects supervisor |
Katherine Melville | ... | roto/prep artist: One of Us |
Marcus Millichope | ... | visual effects artist |
Christian Poullay | ... | matchmove artist: One Of Us |
Kasia Rymar | ... | pipeline development & data production manager |
Colin Shulver | ... | digital sculptor |
Simon Smalley | ... | visual effects artist |
Stephen J. Smith | ... | roto/prep supervisor: One of Us |
Anatoly Vladimirov | ... | system administrator: One of Us |
Pat Wong | ... | senior digital compositor |
Marco Cavassa | ... | prop designer and sculptor (uncredited) |
Stunts
Crispin Layfield | ... | stunt coordinator |
Camera and Electrical Department
Catharine Brown | ... | first assistant camera |
Dean Coffey | ... | electrician |
Andy Cole | ... | gaffer |
Richard Cornelius | ... | camera operator: dailies |
Alistair Cox | ... | lighting technician |
Kristin Davis | ... | digital imaging technician |
Isabel Fewing | ... | b camera operator: dailies / camera trainee: main unit dailies |
Edel Gardner | ... | lighting technician: dailies |
Patrick Gledhill | ... | genny operator |
Alan Graham | ... | best boy |
Dan Huntley | ... | grip trainee |
Bernin Isaac | ... | first assistant camera: dailies |
Vianney Kernanet | ... | rigging electrician: dailies (as Vianney Kernanet-Huggins) |
Raz Khamehseifi | ... | electrician |
Johannes Lohmann | ... | camera trainee |
Agatha A. Nitecka | ... | still and specials photographer |
Colin Strachan | ... | key grip |
Alison Streatfield | ... | second assistant camera |
Sylvester Weekes | ... | video assist |
Francesca Zucchini | ... | camera trainee: dailies |
Casting Department
Rosie Carter | ... | extras casting |
Kathleen Wallfisch | ... | musician casting |
Sarah Wilson | ... | casting associate |
Costume and Wardrobe Department
India Ayles | ... | trainee assistant costume designer |
Marcia Bethell | ... | costume maker (as Marcia Smith) |
Sarah Brest | ... | costume truck supervisor |
Viveene Campbell | ... | costume supervisor |
Grace Clark | ... | principal costume standby |
Sarah Ferdinando | ... | costume maker |
Jessica Hassall | ... | costume maker |
Anna Kot | ... | assistant costume designer |
Sophie Lambe | ... | milliner |
Anouk Mondini | ... | costume trainee |
Jennifer Powell | ... | costume maker |
Holly Rosenthal | ... | principal costume standby |
Frances Roughton | ... | seamstress |
India Witzand | ... | costume maker |
Dominic Young | ... | head costume cutter |
Egsi Lolimar Álvarez | ... | costume maker |
Location Management
Stephanie Andrew | ... | assistant location manager |
Enest Ansah | ... | unit manager: london |
Mark Gladwin | ... | location scout |
Ziggy Gray | ... | location assistant: Dorset |
James Kirby | ... | location scout |
Roberto Kouyoumdjian | ... | locations |
Ted Ladlow | ... | assistant location manager |
Casper Mill | ... | location manager |
Eddy Pearce | ... | location manager: Dorset |
Adriene Whitwell | ... | location scout |
Music Department
Jan Andrees | ... | orchestrator |
Volker Bertelmann | ... | musician: piano |
John Boughtwood | ... | music supervisor |
The Budapest Art Orchestra | ... | orchestra |
Stuart Hope | ... | piano coach |
Gregor Keienburg | ... | orchestrator / recording engineer |
Moritz Kolb | ... | musician: additional cello |
Daniel Kresco | ... | score mixer |
Patty Macmillan | ... | composer agent |
Andrew McKenna | ... | music advisor / piano coach |
Roland Nebe | ... | orchestrator |
Dustin O'Halloran | ... | musician: piano |
Constanze Sannemüller | ... | additional: violin / musician: additional violin (as Constanze Sonnemüller) |
Bryan Senti | ... | musician: additional violin and viola |
Ben Winkler | ... | orchestrator / pro tools engineer |
Script and Continuity Department
Simon Jarrett | ... | script consultant |
Anna Seifert-Speck | ... | script editor |
Tamsin Spivey | ... | script supervisor |
Transportation Department
Barry Goodwin | ... | unit driver |
Additional Crew
Anu Anderson | ... | assistant to producer |
Layke Anderson | ... | crowd advisor |
Robert Lucas Appleton | ... | epk |
Matt Boughton | ... | assistant: Iain Canning |
Katherine Bridle | ... | head of development: see-saw films |
Dougal Cadiou | ... | post production accountant |
Yara Caubet | ... | travel and accommodation co-ordinator |
Laurence Cooper | ... | production coordinator: see-saw films |
Helen de Winter | ... | completion guarantor |
Dionbowes | ... | health & safety consultant |
Dionne Farrell | ... | development executive |
Heather Foster | ... | audio description narrator |
Alfie Golding | ... | production assistant |
Jim Hajicosta | ... | financial controller |
Nicholas Hajicosta | ... | production accountant |
Lesley-Ann Halls | ... | assistant accountant |
Emma Harman | ... | assistant accountant: post production |
David Harriman | ... | set pa |
Boyd Harvey | ... | insurance: Media Insurance Brokers |
Aoife Hayes | ... | development coordinator: See-Saw Films |
Hannah Jennings | ... | production coordinator |
Jesse Jeune | ... | assistant: Francis Lee |
Sam Joly | ... | marketing and publicity manager: see-saw films (as Samantha Joly) |
Trisha Joyce | ... | set medic |
Greta Komiciute | ... | assistant accountant: post production |
Zoe Masters | ... | marine crew |
Jonah Mayfield | ... | assistant production coordinator |
Andrew McDowell | ... | accounts payable administrator |
Phillip McLean | ... | horse dept |
Kirsten Ovstaas | ... | assistant |
Anu Pekkarinen | ... | set pa |
John Powell | ... | medical advisor |
Sarmad Saleh | ... | production lawyer |
Tila Sampaio Diogo | ... | production assistant |
John Scrafton | ... | unit publicist |
Jo Stedall | ... | clearance coordinator |
Jonjo Stickland | ... | marine support |
Trudie Stottor | ... | chaperone |
Indiana Wilson | ... | production assistant |
Layla Zhang | ... | financial controller: See-Saw Films |
Canan Avsar | ... | assistant accountant postproduction (uncredited) |
Albion Gee | ... | production assistant (uncredited) |
Samantha Jane Williams | ... | film liaison officer: Chatham Dockyard (uncredited) |
Thanks
Xavier Dolan | ... | Francis Lee would like to thank |
Mike Leigh | ... | Francis Lee would like to thank |
Josh O'Connor | ... | Francis Lee would like to thank |
Harvey Scrimshaw | ... | special thanks |
Production Companies
- BBC Film (presents)
- British Film Institute (BFI) (presents)
- Cross City Films (in association with)
- See-Saw Films
- Fossil Films (copyright holder)
- Stage 6 Films
Distributors
- Canal+ (2021) (France) (tv)
- Angel Films (2020) (Denmark) (theatrical)
- Gaga (2021) (Japan) (theatrical)
- Lionsgate (2020) (United Kingdom) (theatrical)
- Neon (2020) (United States) (theatrical)
- Sony Pictures España (2020) (Spain) (theatrical)
- Sony Pictures Releasing (2020) (Brazil) (theatrical)
- Sony Pictures Releasing (2020) (Mexico) (theatrical)
- Sony Pictures Releasing (2020) (Netherlands) (theatrical) (through Universal Pictures International)
- Ster-Kinekor Pictures (2020) (South Africa) (theatrical)
- TOBIS Film (2021) (Germany) (theatrical)
- Transmission Films (2020) (Australia) (theatrical)
- Transmission Films (2020) (New Zealand) (theatrical)
- United International Pictures (2020) (Argentina) (theatrical)
- Universal Pictures International (UPI) (2020) (Netherlands) (theatrical) (through)
- Warner Bros. (2020) (Turkey) (theatrical)
- Ascot Elite Entertainment Group (2020) (Switzerland)
- Cross City Films (2020) (Non-US)
- Entract Films (2020) (Canada) (video) (Québec) (VOD)
- Leonine Studios (2022) (Germany) (DVD) (release through)
- Neon (2020) (United States) (video) (VOD)
- Studio Distribution Services (SDS) (2021) (United States) (Blu-ray) (for Universal Pictures Home Entertainment)
- TOBIS Home Entertainment (2022) (Germany) (DVD) (and Blu-ray)
- Universal Pictures Home Entertainment (UPHE) (2021) (United States) (Blu-ray) (UPC: 191329158852)
Special Effects
Other Companies
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- Casting Collective (extras casting)
- Freeway CAM B.V. (collection account management)
- Gravity Media (post-production facilities)
- Halo Post Production (post-production)
- Halo Post Production (sound mix)
- Ike no koi (D.I post production facility)
- Key Casting (extras casting)
- Marine Department (Marine Coordination)
- Milan Records (soundtrack)
- Reed Smith (Legal Services)
- Sands Films (costumes)
- Sapex Scripts (post-production script services)
- Setkeeper (pre-production software)
Storyline
Plot Summary |
In 1840s England, acclaimed but overlooked fossil hunter Mary Anning (Kate Winslet) works alone on the rugged Southern coastline. With the days of her famed discoveries behind her, she now searches for common fossils to sell to tourists to support herself and her ailing mother. When a wealthy visitor entrusts Mary with the care of his wife Charlotte Murchison (Saoirse Ronan), she cannot afford to turn his offer down. Proud and relentlessly passionate about her work, Mary initially clashes with her unwelcome guest, but despite the distance between their social class and personalities, an intense bond begins to develop, compelling the two women to determine the true nature of their relationship. Written by See-Saw Films |
Plot Keywords | |
Taglines | A passionate and all-consuming love affair. See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Box Office
Budget | GBP10,000,000 (estimated) |
Did You Know?
Trivia | Saoirse Ronan's favourite film growing up was Titanic (1997), so she was overjoyed to not only act in a film with Kate Winslet, but to also play her lover. Ronan said to Winslet when filming: "Who would have thought, when I was eight years old, that I'd be kissing Rose one day!" See more » |
Goofs | Charlotte is portrayed as younger than Mary, with Kate Winslet being almost twenty years older than Saoirse Ronan. In reality, Charlotte was a decade older than Mary. See more » |
Movie Connections | Featured in Ammonite (2020). See more » |
Soundtracks | Gesellschafts - Walzer, Op. 5 See more » |
Quotes |
Elizabeth Philpot:
You know you can always ask me for help. See more » |