Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
The story of Dick Cheney (Christian Bale), an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Earl Stone is a 90-year-old horticulturist and Korean War veteran who is facing financial ruin and is estranged from his family. Desperate for money, he becomes a "mule" transporting cocaine through Illinois for a Mexican drug cartel. He becomes a sort of "Robin Hood" with his ill gotten money, renovating his VFW Post and paying for his gran-daughter's wedding. He makes peace with his ex wife before her death as the DEA and the cartel close in on him..
Yves Bélanger's inclusion as cinematographer marked the first time Clint Eastwood did not work with Tom Stern as his cinematographer on a feature film in eighteen years. Stern worked as a gaffer on several of Eastwood's films from the 1980s into the early 2000s, before being promoted to director of photography on every scripted feature-length film by Eastwood, starting with Blood Work (2002) (Stern's first cinematography credit) to The 15:17 to Paris (2018) (Eastwood's earlier 2018 film). See more »
During Earl's first trip as a mule, in an overhead shot, you can see the traffic headlights in the background where the production crew had stopped highway traffic to shoot the scene. See more »
In my personal opinion no one does a slow burn better then Mr. Eastwood. His cinematography, lighting and ambience develops slowly... he's in no hurry to tell his story and that's what makes him such a great storyteller. We experience the anxiety of his first few trips and along with everyone else in the theatre...we wait for the other shoe to drop. His showcased advanced age along with his hunched posture and shuffled walk in this film is the perfect antagonist for what is expected and asked of him. We are privy to comparisons of his choices of work over family. Eastwood seems to have no regret or recollection of his daughters wedding whilst receiving an award for his prized lilies. He continues to be the "Mule" knowing all too well the consequences of his actions. Redemption is a very big price. Eastwood shines here. Don't expect a lot of action... but this film is a study in character... which is what Eastwood does best.
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