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Directed by
Marián Polák |
Written by
Jan Hosek | ... | (writer) |
Marián Polák | ... | (writer) |
Marek Sklar | ... | (writer) |
Produced by
Jordi Niubó | ... | co-producer |
Music by
Kristian Koll |
Cinematography by
Tomás Doruska | ... | (documentary segments) |
Hugo Habrman | ... | underwater cinematographer |
Antonín Nevrlý | ... | aerial cinematographer |
Jiri Petr | ... | director of photography |
Marián Polák | ... | director of photography |
Editing by
Tomás Doruska |
Editorial Department
Stephan Krumbiegel | ... | editing advisor |
Production Design by
Akile Nazli Kaya | ... | designer (as Nazli Akile Kaya) |
Sound Department
Václav Flegl | ... | sound |
Visual Effects by
Michal Plicka | ... | digital compositor |
Camera and Electrical Department
Tomás Doruska | ... | cameraman |
Production Companies
- Ceská Televize (co-production)
- Produkce Radim Procházka (produced by)
Distributors
- Aerofilms (2018) (Czechia) (theatrical)
Special Effects
Other Companies
Storyline
Plot Summary |
Near us, in the former mines, on mountain tops, on housing estates and at railway stations nature takes back what man stole. Wildlife film-essay about the resilient power and variety of Czech nature. Within the environment of open cast brown coalmines and spoil tips which is a reminder of a lunar landscape, one finds paradoxically a true tale of an impregnable wild countryside. For most people it is a symbol of an ecological catastrophe, same as the abandoned industrial complexes, former army training ranges or dense woods gobbled up by the bark beetle. But for nature they are untamed spots which bring with them a process of recuperation and self-preservation. Just beyond our backyard we see everyday dramas of animals and plants taking place which tend to fascinate us in films that come from the far reaches of our planet. Written by Radim Procházka |
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Additional Details
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Box Office
Budget | EUR250,000 (estimated) |