An exciting and unsettling cinematic journey through the life, work and torments of Caravaggio. Light and shadow, contrasts and contradictions, genius and intemperance distinguish his ...
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The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision ... See full summary »
Elena Sofia Ricci,
A multidimensional and multisensory journey in the Florentine Renaissance through its most representative beauties, with the latest-generation 3D and 4K technology and the most advanced techniques of modelling and dimensionalisation.
A 90-minutes documentary that celebrates the 500th anniversary of the birth of the last great artist of the Italian Renaissance, the most unexpected mind that the art of painting has ever produced: Tintoretto.
Giuseppe Domingo Romano
Helena Bonham Carter,
Melania Gaia Mazzucco
A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works.
Valeria Bruni Tedeschi,
An exciting and unsettling cinematic journey through the life, work and torments of Caravaggio. Light and shadow, contrasts and contradictions, genius and intemperance distinguish his existence and his art. A narrative and visual excursus, filmed in : Milan, Florence, Rome, Naples and Malta.
"Caravaggio: The Soul & The Blood is the latest film about one of the greatest painters who ever lived.
In his short and often violent life, Michelangelo Merisi de Caravaggio, or Caravaggio as he was commonly known, produced some of the most powerful religious images ever put on canvas.
To be brutally honest, this film was a major disappointment. For a start, the photography in no way did Caravaggio's paintings justice; the film, after all, is about his art and life, not about the outside of churches, as beautiful as many of the churches no doubt are.
The musical score is overwhelmingly loud, and pompous. Why the views and opinions of 'Caravaggio experts' were not sub-titled, is beyond me; having the dialogue in Italian, then to be overdubbed in English, makes for confusion.
To cap it all, we are treated to an actor trying to portray (I assume), what a tormented soul Caravaggio was, by wrapping his face in cellophane, submerging himself in water, or smearing himself with tar. If that was the director's intention, then it didn't work: in fact, it was totally unnecessary.
Having said that, the film is worth a look, if only to see Caravaggio's paintings up there on the big screen.
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