A policeman intent on freeing a crooked businessman from a prison on Gomera, an island in the Canaries. However, he must first learn the difficult local dialect, a language which includes hissing and spitting.
In a remote Icelandic town, an off duty police chief begins to suspect a local man for having had an affair with his wife, who recently died in a car accident. Gradually his obsession for ... See full summary »
Mo and her best friend are caught cheating during exam by the toughest professor in the university. After Mo asks him for a second chance, the professor invites them to his place. Here, the... See full summary »
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another.
1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
Cristi, a Romanian police officer who is a whistle blower for mafia, is going to La Gomera Island to learn an ancestral whistling language. In Romania he is under police surveillance and by using this coded language he will continue to communicate with the mobsters to get Zsolt out of prison. Zsolt is the only one who knows where 30 millions of euros are hidden.Written by
42 KM FILM
La Gomera a.k.a. "The Whistlers" is a fun Romanian neo-noir borrowing suspense tropes from James Cain, Robert Siodmak and Jules Dassin. The premise is a cop (no unreliable voice overs here) who had to learn the idiom of the whistling language for communicating with people living in interstitial spaces inside and outside of the law. Offbeat, at times hilarious in a deadpan way and rife with truly beautiful mise en scène, the film is a deconstructed tribute to this specific and particular film genre but operates outside of it. All the characters are vividly drawn, the supporting ones carry out the one-dimensionality of their roles with a certain lived-in freshness. The use of music was also very tasteful and deliberately operatic as counterpoint to the life-and-death situations, quirkily told. Corneliu Porumboiu seems to be having fun directing this story -- it shows and I for one was swept by the story and storytelling.
0 of 0 people found this review helpful.
Was this review helpful to you?
| Report this