Sickan, Vanheden and Rocky try to rob the Berns nightclub one night, but Vanheden has made the mistake to invite his constantly drunk cousin, the old dynamiter Dynamite-Harry and he ruins ... See full summary »
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's... See full summary »
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Through ground breaking computer restoration technology, filmmaker Peter Jackson's team creates a moving real-to-life depiction of the WWI, as never seen before in restored, vivid colorizing & retiming of the film frames, in order to honor those who fought and more accurately depict this historical moment in world history.Written by
The crew reviewed over 600 hours of interviews with over 200 soldiers, and 100 hours of original footage. Peter Jackson claimed a full year was spent just reviewing the material. See more »
Several shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been coloured green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." The staff at the Museum told me they were surprised that the filmmakers didn't consult them. See more »
Mademoiselle from Armentieres
Written by Harry Carlton and Joseph Tunbridge (as JA Tunbridge)
Performed by Plan 9, Joel Watson, Nathan Carlton, Alan Davison, Colin Leeman, Thomas Lord, Jon McQueen and Chris Todd See more »
As this historically important anniversary draws to a close, I just want to say that my viewing of this film was that of utter amazement. As a photo colouriser/restorer, I was absolutely astonished at the work PJ's team put into this. The transition from the original film material, then to the stabilised and corrected FPS and then the full colour and sound was one of the most spectacular things I have ever seen on the screen. The colour is natural and really helps emphasise the grittiness of war and brings out hidden details that may have been missed in the B&W source. Usually I prefer film not to be tampered with, but as Jackson says, this is how the men saw it - in living colour. The addition of the voiceovers from the surviving soldiers themselves is a great choice and doesn't distract and flows along nicely with the visuals. Throughout I expressed various emotions of sadness and shock, but surprisingly a few laughs, particularly one shot showing a soldier banging a tune on another soldiers helmet as they march.
I do wish I had seen this on the big screen and I imagine what I have said is enhanced 100x more with that type of viewing. A fitting tribute to the men that did and didn't come home and I hope it is recognised and picks up many awards.
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