69 high school kids from a town in the industrial north of England went to battle in WW1. None came home. 100 years later, a group of young people from the same school decide to trace the ... See full summary »
Studying in Hong Kong but living in Shenzhen (the port city of Mainland China), Peipei has spent 16 years in her life travelling between these two cities. To realize the dream of seeing ... See full summary »
In the oppressive 1980s communist Romania, the smuggled VHS tapes of banned Hollywood films become an inspirational ray of hope. A hybrid feature about the magic of film and the power it has to change lives.
Irina Margareta Nistor,
Through ground breaking computer restoration technology, filmmaker Peter Jackson's team creates a moving real-to-life depiction of the WWI, as never seen before in restored, vivid colorizing & retiming of the film frames, in order to honor those who fought and more accurately depict this historical moment in world history.Written by
Several shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been colourised green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." These tanks entered service in 1918, and were factory-painted brown. See more »
You don't look, you see. You don't hear, you listen. You taste the top of your mouth. Your nose is filled with fumes and death. But the veneer of civilization has dropped away.
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"Filmed on location on the Western Front, 1914 to 1918" See more »
As this historically important anniversary draws to a close, I just want to say that my viewing of this film was that of utter amazement. As a photo colouriser/restorer, I was absolutely astonished at the work PJ's team put into this. The transition from the original film material, then to the stabilised and corrected FPS and then the full colour and sound was one of the most spectacular things I have ever seen on the screen. The colour is natural and really helps emphasise the grittiness of war and brings out hidden details that may have been missed in the B&W source. Usually I prefer film not to be tampered with, but as Jackson says, this is how the men saw it - in living colour. The addition of the voiceovers from the surviving soldiers themselves is a great choice and doesn't distract and flows along nicely with the visuals. Throughout I expressed various emotions of sadness and shock, but surprisingly a few laughs, particularly one shot showing a soldier banging a tune on another soldiers helmet as they march.
I do wish I had seen this on the big screen and I imagine what I have said is enhanced 100x more with that type of viewing. A fitting tribute to the men that did and didn't come home and I hope it is recognised and picks up many awards.
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