In 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. But their quest to find out why turns into a bizarre and sinister mystery.
Director:
Tim Wardle
Stars:
Robert Shafran,
Michael Domnitz,
Howard Schneider
Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.
Director:
Terry Gilliam
Stars:
José Luis Ferrer,
Ismael Fritschi,
Juan López-Tagle
Golsa, a 16 year old girl from suburb of Tehran, who is motivated primarily by boredom rather than greed, robs a corner shop with her friends. But while sharing the booty they are ... See full summary »
Director:
Pooya Badkoobeh
Stars:
Negar Moghaddam,
Yasna Mirtahmasb,
Ali Mosaffa
Through ground breaking computer restoration technology, filmmaker Peter Jackson's team creates a moving real-to-life depiction of the WWI, as never seen before in restored, vivid colorizing & retiming of the film frames, in order to honor those who fought and more accurately depict this historical moment in world history.Written by
Curtis Medina
Grass and dirt proved to be the most challenging items to colorize. Some of the actual locations were identified, and Peter Jackson went there himself and shot thousands of photos to use as reference. See more »
Goofs
Several shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been colourised green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." These tanks entered service in 1918, and were factory-painted brown. See more »
A century later, Peter Jackson produced an informative and fascinating documentary about the First World War, seen by the English, in the trenches of the Bay of Somme, with dusted and colored archive images.
Almost everyone expected a brief and victorious war, which, as it was said at the time, would be "over at Christmas". The continuation was very different and became a trench war. Hygiene was deplorable until it became laughable but the atmosphere within the troops was fraternal despite the constantly oppressive atmosphere.
And we also learn that the English infantrymen regularly had a mission to capture a Fritz. Knowing that from a military strategy point of view, this is a complete nonsense, a war prisoner being systematically an useless and cumbersome dead weight, it is perhaps a pity that this documentary does not give to the audience an explicit explanation. And the only rational explanation is probably this one: to force the English infantrymen to attack the Germans, the prisoner of war being the proof of the effectiveness of their attack ...
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A century later, Peter Jackson produced an informative and fascinating documentary about the First World War, seen by the English, in the trenches of the Bay of Somme, with dusted and colored archive images.
Almost everyone expected a brief and victorious war, which, as it was said at the time, would be "over at Christmas". The continuation was very different and became a trench war. Hygiene was deplorable until it became laughable but the atmosphere within the troops was fraternal despite the constantly oppressive atmosphere.
And we also learn that the English infantrymen regularly had a mission to capture a Fritz. Knowing that from a military strategy point of view, this is a complete nonsense, a war prisoner being systematically an useless and cumbersome dead weight, it is perhaps a pity that this documentary does not give to the audience an explicit explanation. And the only rational explanation is probably this one: to force the English infantrymen to attack the Germans, the prisoner of war being the proof of the effectiveness of their attack ...