In 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. But their quest to find out why turns into a bizarre and sinister mystery.
Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.
José Luis Ferrer,
Golsa, a 16 year old girl from suburb of Tehran, who is motivated primarily by boredom rather than greed, robs a corner shop with her friends. But while sharing the booty they are ... See full summary »
Through ground breaking computer restoration technology, filmmaker Peter Jackson's team creates a moving real-to-life depiction of the WWI, as never seen before in restored, vivid colorizing & retiming of the film frames, in order to honor those who fought and more accurately depict this historical moment in world history.Written by
Peter Jackson decided not to use narration as one might expect for such a documentary. Instead, he wanted audiences to hear the voices of real soldiers who experienced the conflict first hand. See more »
Several shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been colourised green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." These tanks entered service in 1918, and were factory-painted brown. See more »
I was lucky enough to bag a ticket to the one off showing of Peter Jackson's They Shall Not Grow Old, having watched a lot of World War One documentaries and made countless visits to historic sites across France and Belgium I was keen to see what was being marketed as a 'new' perspective on The Great War, it did not disappoint.
Jackson chose to create a narrow focus narrative for this 1 hour 30 minute documentary to allow the viewer to delve into the fine details often missed in more sweeping documentaries trying to cover all aspects and areas of the conflict. Jackson chose to look closely at the lives and experiences of British native frontline troops in Belgium. The documentary follows a linear timeline beginning with the breakout of war and the initial volunteering of thousands of young men excited and ready for an adventure for King and Country and ends with the great sense of loss and uncertainty of the future the troops had by the end of the war.
The entire documentary is narrated by records of surviving troops recorded in the 60s and 70s, this was an intentional move by Jackson that definitely adds to the ability for the viewer to connect and relate to the survivors.
I especially found the stories and anecdotes about the goings on behind the lines during down time and R&R for the troops captivating as it is often over looked in other documentaries solely concentrating on the combat and horrors of war.
The pain staking effort and lengths Jackson and his team went to to restore this footage not only with colour but with frame rate, sharpness and especially sound is breath taking. Taking the time to have professional lip readers painstakingly review all the footage so allow us to then know and hear what was being said truly brought the footage to life.
My only issue with the film, something that is made note of by Jackson is of course because of the time in history and available cameras there is no actual combat footage available so you do spend a large amount of time just watching still hand drawn cartoons of the battles from the time, something that cannot be avoided but does detract from the immersion the rest of the film creates.
I highly recommend this film to everyone, it is important we see the true perspective of what our ancestors went through and never forget these brave men and women.
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