Becky, Maik and Tommi, a group of right-wing radical youths, aim to establish a terrorist cell in Germany. Seeking national attention, they commit a range of escalating crimes whilst facing disorientation and their appetite for murder.
The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.
A psychiatrist and his blind girlfriend, bound by sinister interest. A school doctor, who lost more than work with her dismissal. Her brother, who will do everything for her. A desperate ... See full summary »
Sarah Victoria Frick,
Inspired by real events, five friends struggle to cope with their frustrations and are compelled to violence as Weltstadt, a once-popular tourist spot, falls onto hard times following the reunification of Germany.
Martha is in a happy relationship with Paul. She shares her life with him, and she trusts him and feels she knows him inside out. But one day two policewomen appear at her door and suddenly... See full summary »
On the stage of her high school drama class 17-year-old Sarah gives it all. When she performs, there is an instant of suspense in which she appears to transform completely into her ... See full summary »
The prestigious politician and large-scale farmer Franz Murer, responsible for the Ghetto of Vilnius as SS leader and NSDAP functionary from 1941-1943, stands trial in Graz, Austria. ... See full summary »
Alexander E. Fennon,
A rainy night. Dazed and numb, Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. In a nightspot, Nora seductively engages police psychiatrist Dr. Rossini in a conversation. She tells the Doctor about her old schoolmate Luz' rebellious past at a Chilean school for girls. Nora is possessed by a demonic entity, longing for the woman it loves - Luz. Increasingly drunk on both alcohol and Nora's story, Rossini turns into easy prey. When called to the police station, the now demonically revived doctor puts Luz in a state of hypnosis, supervised by his colleagues, commissioner Bertillon and her translator Olarte. Luz recalls the events predating her arrival at the police station. But the entity that has taken control of the doctor wants something more. Bit by bit it slips into Luz' reenactment and makes old memories come to light.
So when a movie is nominated and wins awards and also has quite a nice review score, does that mean that if you (and/or I in this case) think otherwise, would that mean that you/I would be in the wrong? I would argue that is not the case. The thing is whatever you feel while watching a movie is yours and you should own it.
Own it as the makers of this own their (bad) trip, which is actually quite stationary. It is also trying to impress by throwing a lot of things into the mix. It does try to visualize certain things and yes there are analogies. The question is at what rate does the viewer care and how much will the lack of acting (or rather the talent thereof) play a role when it comes to the viewing pleasure? As stated above and as of this monent, the movie has a rating well over 6 (out of 10), which is quite high. Will it change once this comes out in cinemas tomorrow? Maybe, especially because it won't just stay with festival audiences and more importantly it will be seen by more people who'll understand and can detect .. let's call them flaws in the script and dialog. Friends actually were talking about pseudo intellectualism, but then again the joke is on them (and me), since this is an awarded film after all (no matter if it was at places were german dialog might not have been understood)
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