2 user 13 critic

Dark, Almost Night (2019)

Ciemno, prawie noc (original title)
Reporter Alicja Tabor returns to Walbrzych, the city of her childhood. There she will go back to all her hardcore family secret dramas, and start investigating a sinister case related to the disappearance of children.


Borys Lankosz


Joanna Bator (based on a novel by), Borys Lankosz | 1 more credit »
1 nomination. See more awards »


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Cast overview, first billed only:
Magdalena Cielecka ... Alicja Tabor
Rafal Mackowiak ... Pawel Kupczyk
Modest Rucinski ... Alicja's father
Jerzy Trela ... Mr. Albert
Eliza Rycembel ... Ewa (17 old)
Antonina Litwiniak Antonina Litwiniak ... Alicja Tabor (8 old)
Wlodzimierz Dyla Wlodzimierz Dyla ... Mizera's neighbor
Roma Gasiorowska ... Mizera
Aleksandra Konieczna ... Babcyjka
Nikola Karwowska Nikola Karwowska ... Pink Girl
Piotr Polak Piotr Polak ... Immovable Angler
Marcin Dorocinski ... Marcin Schwartz
Mateusz Czulowski Mateusz Czulowski ... Little Albert
Helena Norowicz Helena Norowicz ... Rosemarie / Duchess Daisy
Malgorzata Hajewska ... Apolonia Kitty Kitty (as Malgorzata Hajewska-Krzysztofik)


Reporter Alicja Tabor returns to Walbrzych, the city of her childhood. There she will go back to all her hardcore family secret dramas, and start investigating a sinister case related to the disappearance of children.

Plot Summary | Add Synopsis


Zostalo malo czasu, by przerwac krag zla


Crime | Drama







Release Date:

22 March 2019 (Poland) See more »

Also Known As:

Dark, Almost Night See more »


Box Office

Cumulative Worldwide Gross:

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Did You Know?


When I Am Laid in Earth (Lament Dydony)
Music by Henry Purcell
Performed by Lynne Dawson & Orchestra of the Age of Enlightenment
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User Reviews

Trivialization of child abuse
22 March 2019 | by jkohen-1See all my reviews

I watched this movie on the worldwide opening night in Warsaw. It started as an interesting, but quirky dark fantasy film with hints of horror. Not my cup of tea, but it could still be an entertaining evening.

However, soon enough the movie turned into a mess. The plot is a trivialization of child abuse that despite using fairy tales tropes is as explicit as it can get, like the screenwriter never learned about metaphors. The dialog, mostly delivered as drawn out monologues, never made much sense and failed to keep anyone's attention. The numerous characters whose lives were interwoven in complicated relationships as you would expect of a soap opera on its 20th consecutive running year. The sound was OK, though the adult screams were ridiculous at times. The only redeeming factor was the photography, which did a great job capturing the forest where the film was filmed and many of the aged interiors.

The movie could have easily been 30 to 45 minutes shorter. Each of the two or three epilogues after the mystery had been solved made people in the audience ask whether the movie was finally ending that time.

Ironically, when the producer introduced the movie, he criticized the same film institutes that financed 100% of this movie for not funding movies that aren't romantic comedies or war movies. And that's why we can't have nice things.

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