A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Director:
Ari Aster
Stars:
Florence Pugh,
Jack Reynor,
Vilhelm Blomgren
A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.
Director:
Jordan Peele
Stars:
Daniel Kaluuya,
Allison Williams,
Bradley Whitford
In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town.
Director:
Andy Muschietti
Stars:
Bill Skarsgård,
Jaeden Martell,
Finn Wolfhard
Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.
Director:
M. Night Shyamalan
Stars:
James McAvoy,
Anya Taylor-Joy,
Haley Lu Richardson
A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.
Director:
Stanley Kubrick
Stars:
Jack Nicholson,
Shelley Duvall,
Danny Lloyd
When her mentally ill mother passes away, a woman named Annie (Toni Collette) and her husband (Gabriel Byrne), son (Alex Wolff) and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.
Toni Collette had told her agent that she didn't want to do any more heavy, dark films and only wanted to do comedies, but she loved the Hereditary script so much she couldn't turn it down. See more »
Goofs
(at around 1h 8 mins) For portions of Joan's instructions to Annie, as Annie is leaving Joan's apartment, the lips don't match the words, notably the comment that the husband and brother need to be 'in the house.' See more »
Quotes
[first lines]
Steve:
Come on, Peter. Wake up.
See more »
Crazy Credits
The first minute of the closing credits is a list of vertically-scrolling names, where a random letter of each person's name is hi-lighted in a different color, then drops down to form the words of the next person's name in line. See more »
12 Fantaisies: No. 6 in D Minor, TWV 40:7: Dolce - Allegro - Spirituoso
Written by Georg Philipp Telemann
Performed by Benedek Csalog
Courtesy of Naxos of America, Inc. See more »
User Reviews
Showcases what horror is capable of when taken seriously
In many ways, Hereditary is the horror movie I've been restlessly waiting to see for so many years. Despite my avid fandom for the genre, I really feel that modern horror has lost its grasp on how to make a film that's truly unsettling in the way the great classic horror films are. A modern wide-release horror film is often nothing more than a conveyor belt of jump scares strung together with a derivative story which exists purely as a vehicle to deliver those jump scares. They're more carnival rides than they are films, and audiences have been conditioned to view and judge them through that lens. The modern horror fan goes to their local theater and parts with their money on the expectation that their selected horror film will "deliver the goods", so to speak: startle them a sufficient number of times (scaling appropriately with the film's runtime, of course) and give them the money shots (blood, gore, graphic murders, well-lit and up-close views of the applicable CGI monster etc.) If a horror movie fails to deliver those goods, it's scoffed at and falls into the "worst film I've ever seen" category. I put that in quotes because a disgruntled filmgoer behind me broadcasted those exact words across the theater as the credits for this film rolled. He really wanted us to know his thoughts.
Like similarly fantastic and crowd-displeasing horror films of the past few years, The Witch and It Comes At Night, Hereditary is a film that largely deals in atmosphere and emotional horror. The Shining, which happens to be my favorite horror film, is a clear touchstone and I would go as far as saying that this is the first modern horror film I've seen that genuinely captures a similar tone and ethos. Much like that film, it delivers its horror through an intensifying sense of unease and dread that becomes nearly suffocating by its conclusion. Rather than startling you with cheap scares, it offers haunting and upsetting images which are often delivered without any of those overused sonic jolts. Perhaps most importantly, it anchors everything in an emotional core with nuanced characters who experience relatable family struggles and grief. And that is absolutely critical to what makes the movie effective and resonant: it works on a metaphorical level, using the supernatural story as a vehicle to explore the very real way in which a family can be absolutely ravaged by tragedy, and furthermore how trauma and mental illness are passed through the generations. I'd be remiss not to mention that Toni Collette gives a mesmerizing performance in this film that is absolutely unhinged and truly difficult to stomach at times.
For all that praise and as excellent as I think it is, Hereditary isn't quite a masterpiece. Despite the fact that I was very much invested and riveted throughout the length of the film, there were some detectable pacing issues. I feel conflicted in saying that because I'm very much a fan of the slow-burn horror style which benefits from a deliberate pace, but I did get the occasional nagging sense that things could've been tightened up just a tad without losing the effect. Some of the scares in the film, often the more "traditional" horror moments, also struck slightly the wrong note with me on a first viewing and were just a hair too campy or on-the-nose given how visionary and restrained the majority of the film is. And in its ending few minutes, the film really shows its full hand when a bit more ambiguity may have served it better.
The positives far, far outweigh the negatives here though and Hereditary is ultimately a remarkable debut horror film which showcases what the genre is capable of when it's taken seriously by a talented director. Here's hoping we'll continue to see more like it.
Light 4.5/5
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In many ways, Hereditary is the horror movie I've been restlessly waiting to see for so many years. Despite my avid fandom for the genre, I really feel that modern horror has lost its grasp on how to make a film that's truly unsettling in the way the great classic horror films are. A modern wide-release horror film is often nothing more than a conveyor belt of jump scares strung together with a derivative story which exists purely as a vehicle to deliver those jump scares. They're more carnival rides than they are films, and audiences have been conditioned to view and judge them through that lens. The modern horror fan goes to their local theater and parts with their money on the expectation that their selected horror film will "deliver the goods", so to speak: startle them a sufficient number of times (scaling appropriately with the film's runtime, of course) and give them the money shots (blood, gore, graphic murders, well-lit and up-close views of the applicable CGI monster etc.) If a horror movie fails to deliver those goods, it's scoffed at and falls into the "worst film I've ever seen" category. I put that in quotes because a disgruntled filmgoer behind me broadcasted those exact words across the theater as the credits for this film rolled. He really wanted us to know his thoughts.
Like similarly fantastic and crowd-displeasing horror films of the past few years, The Witch and It Comes At Night, Hereditary is a film that largely deals in atmosphere and emotional horror. The Shining, which happens to be my favorite horror film, is a clear touchstone and I would go as far as saying that this is the first modern horror film I've seen that genuinely captures a similar tone and ethos. Much like that film, it delivers its horror through an intensifying sense of unease and dread that becomes nearly suffocating by its conclusion. Rather than startling you with cheap scares, it offers haunting and upsetting images which are often delivered without any of those overused sonic jolts. Perhaps most importantly, it anchors everything in an emotional core with nuanced characters who experience relatable family struggles and grief. And that is absolutely critical to what makes the movie effective and resonant: it works on a metaphorical level, using the supernatural story as a vehicle to explore the very real way in which a family can be absolutely ravaged by tragedy, and furthermore how trauma and mental illness are passed through the generations. I'd be remiss not to mention that Toni Collette gives a mesmerizing performance in this film that is absolutely unhinged and truly difficult to stomach at times.
For all that praise and as excellent as I think it is, Hereditary isn't quite a masterpiece. Despite the fact that I was very much invested and riveted throughout the length of the film, there were some detectable pacing issues. I feel conflicted in saying that because I'm very much a fan of the slow-burn horror style which benefits from a deliberate pace, but I did get the occasional nagging sense that things could've been tightened up just a tad without losing the effect. Some of the scares in the film, often the more "traditional" horror moments, also struck slightly the wrong note with me on a first viewing and were just a hair too campy or on-the-nose given how visionary and restrained the majority of the film is. And in its ending few minutes, the film really shows its full hand when a bit more ambiguity may have served it better.
The positives far, far outweigh the negatives here though and Hereditary is ultimately a remarkable debut horror film which showcases what the genre is capable of when it's taken seriously by a talented director. Here's hoping we'll continue to see more like it.
Light 4.5/5