6.9/10
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Photograph (2019)

PG-13 | | Drama, Romance | 17 May 2019 (USA)
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A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect.

Director:

Ritesh Batra

Writer:

Ritesh Batra
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Cast

Cast overview, first billed only:
Nawazuddin Siddiqui ... Rafi
Sanya Malhotra ... Miloni
Sachin Khedekar ... Kanti Bhai
Denzil Smith ... Hasmukh Bhai
Brinda Trivedi Brinda Trivedi ... Saloni
Lubna Salim ... Sheilaben
Rajesh Kumar Sharma Rajesh Kumar Sharma ... Fazlu Master
Shihaan Bakshi Shihaan Bakshi ... Mohan
Akash Sinha Akash Sinha ... Banke
Seema Pravin Shende Seema Pravin Shende ... Teller
Robin Das Robin Das ... Gafoor (as Robin Kumar Das)
Bhagwan Das Patel Bhagwan Das Patel ... Kulfiwallah
Ashok Pathak Ashok Pathak ... Gopal Taxi Driver
Amarjeet Singh Amarjeet Singh ... Bilal
Saharsh Kumar Shukla ... Zakir Bhai
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Storyline

Two lives intersect in Mumbai and go along together. A struggling street photographer, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develops a connection that transforms them in ways that they could not expect. From Ritesh Batra (The Lunchbox).

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic material | See all certifications »
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Details

Official Sites:

official YouTube

Country:

Germany | India | USA

Language:

Hindi | Gujarati | English

Release Date:

17 May 2019 (USA) See more »

Also Known As:

Fotografia See more »

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Box Office

Opening Weekend USA:

$35,796, 19 May 2019

Gross USA:

$344,534
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Film was to release on 22 February 2019.But pushed to 01 March 2019 to avoid clash with big budget Total Dhamaal. See more »

Soundtracks

Tere Baap Ko Maine Dekha Bandra Station Pe
Written by Indeevar
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Frequently Asked Questions

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User Reviews

 
A Film That Thrives On Silences!
17 March 2019 | by iamggnSee all my reviews

The city's love affair with unusual encounters is an element that sets it apart, and having stayed in Mumbai for over two decades, like most other Mumbaikars, there exists a set of people, and stories, and conversations that I keep going back to.

To story of Photograph focuses on one such peculiar encounter that eventually translates into an unexpected connection. Rafique and Miloni meet by chance, and a product of that moment gives them disparate reasons to meet again. The screenplay convincingly lets the viewers comprehend the circumstances the protagonists are accustomed to through little, insignificant instances; Ritesh Batra's tendency to not be too loud and lucid replenishes the cinematic narration with a pinch of exquisiteness. The role of supporting characters is vital, because it is their expectations that largely dictate the protaganists' actions. To argue that the plot is unrealistic may not be entirely authentic, especially because almost every decision that Rafique and Miloni resort to is bolstered by the desire to divert from what is usual, to avoid what is mundane. However, if the writer compulsorily asks me to point out an element that is unrealistic, I would probably tell him that it is impossible for a CA Inter student to take out time for such lengthy hangouts.

The entire cast is spectacular. Nawazuddin Siddiqui is a natural, and it is phenomenal to witness him stick to his character throughout the run-time. Sanya Malhotra wonderfully portrays the introverted Miloni, who also harbors a quotient of curiosity. Farrukh Jafar as Dadi, and Geetanjali Kulkarni as Rampyari put up brilliant performances. Saharsh Shukla and Sachin Khedekar are impressive as well. Vijay Raaz, in an unpredictable role, is refreshing as ever. Jim Sarbh is decent. Ritesh Batra, who delivers a convincing comeback, is an artist that the industry must be proud of.

Photograph is a film that thrives on silences, and it is beautiful to acknowledge how, at times, they overcompensate for the absence of words.


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