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Three generations of the Phadke family live together in their ancestral home in downtown Mumbai. With her brother's wedding coming up, and her own misgivings towards marriage, the filmmaker... See full summary »
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Based upon the novel of the same title, written by the author Heinz Strunk and published in 2016. See more »
Pride goes before a fall. I'm telIing you. Be friendly on your way up. Because on your way down, you're gonna meet them aIl again. And they all come down sometime. Or something like that.
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Not for the fainthearted. Not even for the worldly cynical. This is not enjoyable in the conventional entertainment sense: it is brutal, repulsive, despairing, terrible and powerful. It depicts the marginal lower depths of human filth, driven by its single appetite and relentless, amoral need to satisfy it.
Technically the film is a marvel, the production design and the atmosphere created means the scenes have the stench of depravity and human waste, especially in Honka's attic. Similarly, the photography and editing are compelling, and that all says that the director has done the job.
The actors are excellent, the make-up artists too, who made them into degenerate hopeless alcoholics, but the lead, Dassler as Honka, has to be noted because he has incarnated this role to an awful degree. Without that performance the film might falter, be more like a movie, not as document of murder.
If Fritz Lang could see this film, he'd be proud, because it has the same ruthless eye that he had in his German films. It takes the audience into the middle of a horror and never lets go.
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