A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.

Director:

Fatih Akin

Writers:

Fatih Akin (screenplay), Heinz Strunk (novel)
Reviews
Popularity
4,678 ( 131)
4 wins & 7 nominations. See more awards »

Videos

Photos

Edit

Cast

Credited cast:
Jonas Dassler ... Fritz Honka
Adam Bousdoukos ... Lefteris
Margarete Tiesel ... Gerda Voss
Katja Studt ... Helga Denningsen
Heinz Strunk Heinz Strunk ... Kriegsveteran
Martina Eitner-Acheampong ... Frida
Marc Hosemann ... Siggi Honka
Tristan Göbel Tristan Göbel ... Willi
Hark Bohm ... Dornkaat-Max
Greta Sophie Schmidt Greta Sophie Schmidt ... Petra Schulz
Philipp Baltus ... Zuhälter
Victoria Trauttmansdorff Victoria Trauttmansdorff ... Gisela
Tom Hoßbach Tom Hoßbach ... Fritz Honka (jung)
Uwe Rohde Uwe Rohde ... Herbert Nürnberg
Jessica Kosmalla Jessica Kosmalla ... Ruth
Edit

Storyline

A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

A female psychologist was brought on to set to help actors deal with the rape scenes. See more »

Quotes

Siggi Honka: Life's a barrel organ, and the Lord God turns the crank. We're aIl but dancers to His tune, and have our fate to thank.
Gerda Voss: Can't say anything against that.
Siggi Honka: Yeah, or this one:Life's a card game. If you want to pIay, you have to take the hand you're dealt.
Fritz Honka: Yeah, my brother knows aIl the best sayings.
Siggi Honka: Right. Like this one: Flowers are like people: the fatter, the dumber.
See more »

Soundtracks

Wenn du kein Mädel weisst
Written by Leadbelly (as Huddie Ledbetter), John A. Lomax (as John A. Sr. Lomax) and Walter Stein
Performed by Lale Andersen
See more »

User Reviews

 
Ick...in a good way, I guess
8 December 2019 | by ofumalowSee all my reviews

This is a grotesque interpretation of a novel apparently inspired by a real-life 1970s serial killer. The film was hated by most critics, particularly in its festival debut, because it was considered too repellent and sensational. Conversely, I suspect mainstream horror fans won't like it because it's not crafted like a suspense film-the kills are presented in a depressing, banal rather than "exciting" way.

It's a tough movie to watch, but for reasons that I think are strengths: You rarely see this kind of bleak underside of life depicted accurately in movies. Even films like "Barfly" that purport to also be about alcoholic Skid Row types generally cast the most glamorous actors possible, and make their characters' poverty, self-destruction etc. look sort of "quirky" and "colorful." Here, even the (very few) attractive characters are presented in the worst 70s clothes and hairstyles (with terrible period German pop music in the background), while most of the figures here are old, ugly and conspicuously unhealthy. (It's kind of amazing afterward to look up the cast on IMBD afterward, and see all their nice, clean publicity photos-you'd swear they emptied out a homeless shelter for many of the roles, rather than using professional actors with long resumes.)

It's an incredibly bleak milieu that is its own answer to the question of why police didn't track down this killer sooner-he, and his victims (also drunks and/or prostitutes), were all people that German society had long ago given up on. No one cared about them, or whether they went missing.

You can fault the film for giving very limited "insight" into the protagonist or why he murdered. But he's clearly just a mentally deficient person just functional enough to support himself, so he did not fall into the hands of authorities that might have diagnosed and treated his considerable problems. The lead's performance is so convincingly repellent that I was stunned to see that he's actually a very handsome, young actor-here his age is indeterminate, and his physical acting/makeup is subtle enough that you really think you're watching a somewhat disabled and disfigured person rather than a clever performer's approximation of one.

Anyway, it's a thoroughly unpleasant movie whose characters are profane in the dumbest and crudest ways, whose sexual acts (when they can perform at all) are depicted with nasty vividness, who live in squalor and die in filth. Which, frankly, is probably a pretty accurate depiction of most serial killers' lives and activities. If watching that reality isn't exactly "entertaining," it's nonetheless pretty compelling if you can take it. I wouldn't want to watch a movie with this brutally misanthropic a vision like this very often, but once in a while, it acts as a sort of palate cleanser to remind you that most violence in real life is ugly and pathetic, not an exciting thrill ride.


43 of 46 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 65 user reviews »

Frequently Asked Questions

This FAQ is empty. Add the first question.
Edit

Details

Country:

Germany | France

Language:

German | Greek | Italian

Release Date:

21 February 2019 (Germany) See more »

Also Known As:

The Golden Glove See more »

Filming Locations:

Hamburg, Germany See more »

Edit

Box Office

Opening Weekend USA:

$2,300, 29 September 2019

Gross USA:

$6,160

Cumulative Worldwide Gross:

$604,479
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

Contribute to This Page



Recently Viewed