After the disappearance of her husband, a struggling farmer in an isolated Appalachian community fights to save her son when the cold-hearted matriarch of the oldest family on the mountain demands payment of a debt that could destroy a decade's old truce.
In this '60s retro prequel to the bizarro-noir Bloodsucker's Handbook (AKA Enchiridion), Bloodsucker's Planet follows the crew of the space ship Argosy as they respond to a distress signal ... See full summary »
Cory W. Ahre,
Abe Van Helsing, the wayward descendant of the vampire hunter clan, enlists the services of a teen to house sit while he travels, unwittingly putting the stored corpse of Dracula in less than prepared hands.
Have you ever wondered how movie killers are so damn efficient? Well we did too. So we decided to take a deeper look inside the mythos of the movie killer. And we found that they had a secret weapon. A Personal Assistant.
C. Michael Whaley
Jaysen P. Buterin
After he thinks his straight edge friends have gone too far, young punk Brad (Cory Kays) decides to leave them behind when he meets happy-go-lucky partier Sean (Sean Jones). He attends his first house party where he meets the beautiful Maybe (Evey Reidy) when all hell breaks loose. A group of masked intruders attacks the houseful of drunks and stoners making sure no one gets out alive. It's up to Brad, Sean and Maybe to save the party in this blood-soaked thrill ride from writer/director Jason Zink.
The graffiti featured in the film is actually a permanent part of the director's home. See more »
The closing credits conclude as follows: "This motion picture photoplay is protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication and/or distribution of this photoplay may result in civil liability and criminal prosecution... and it would make you a c*&t." See more »
Punxploitation is a niche sub-genre of cinema that isn't meant to be understood by those outside of the punk rock spectrum. These films are for punk rockers, rudeboys, hardcore kids, and skinheads. The fact that these films are intended for such a small group of dedicated fans makes sure they have secured a place in cult status. STRAIGHT EDGE KEGGER is a top-notch punxploitation film whose strength is its authenticity.
There comes a point in every person's life where they decide that they need to take a stand. That's exactly where Brad (Cory Kays) is. He belongs to a straight-edge (no drinking, no drugs, no smoking) hardcore crew lead by James (Julio Alexander) that has grown more violent and militant in their ways.
Brad has decided to break ties with his gang and at the same time, "break edge." This infuriates James, him and his gang of thugs decide to eliminate all drinkers and drug users from the scene. James' hate culminates in a D.I.Y. punk house party turning into a bloodbath of death and carnage.
What sets STRAIGHT EDGE KEGGER apart from the pack of other punxploitation movies is how real it is. There are real bands, real venues, and real punks. Unless you have been at a punk show and have been threatened by someone because of something you wore, or did, you can't truly grasp how scary the straight-edge goons in this movie are. They are truly terrifying.
I could relate to most of the characters in this film. They spoke to me, as to who I was at one point or another in my life. My favorite character is Sean (Sean Jones). Sean is all about just enjoying life, and music, and not giving a damn. It made me laugh seeing him wear a T-shirt of the straight-edge band Bane while drinking a beer.
Brad and Sean's relationship gives STRAIGHT EDGE KEGGER a good sense of levity. Their bonding montage, presented with "The Cult Song" by Shannon and the Clams, was a nice break from the intense hardcore punk soundtrack, and it really made me smile. It was an unexpected treat.
Everything about STRAIGHT EDGE KEGGER felt familiar in an intense way, and hit close to home for me. The film had some strong GREEN ROOM and ROMPER STOMPER vibes, but on a much more personal and Midwest vibe. Seeing the Midwest punk/ hardcore scene get cinematic exposure warmed my heart. I would also have to say that it felt like the most genuine depiction of the D.I.Y. punk/ hardcore scene ever seen in an exploitation film.
The real action kicks in at about the 45 minute point. When the straight-edge gang attacks the punk house party. This instilled a sense of anxiety in me. It was a great cross between a siege film, reminiscent of ASSAULT ON PRECINCT 13, and survivalist horror; similar to THE TEXAS CHAIN SAW MASSACRE. The masks worn by the killers in STRAIGHT EDGE KEGGER also brought to mind the 1985 Ozploitation classic FORTRESS.
The old 1980s rules of horror films were if you drank alcohol, did drugs, or had sex, you got killed off. STRAIGHT EDGE KEGGER took this trope and turned it on its head with a straight-edge justification. I thought that was genius!
STRAIGHT EDGE KEGGER is an indie horror film that hits all the right notes with me. It makes great use of its limited resources, it has a dark sense of humor throughout the film, it has an incredible soundtrack and a brilliant Goblin-esque score, and it has a good amount of well-done blood and gore.
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