A supernatural thriller set in the Western frontier of the late 1800s, The Wind stars Caitlin Gerard (INSIDIOUS: THE LAST KEY) as a plains-woman driven mad by the harshness and isolation of... See full summary »
Julia Goldani Telles
In this genre-bending psychological sci-fi thriller, a bold girl discovers a bizarre, threatening, and mysterious new world beyond her front door after she escapes her father's protective and paranoid control.
Jong-su, a part-time worker, bumps into Hae-mi while delivering, who used to live in the same neighborhood. Hae-mi asks him to look after her cat while she's on a trip to Africa. When ... See full summary »
The film follows the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.
In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences..
"Styx" depicts the transformation of a strong woman torn from her contented world during a sailing trip. When she becomes the only person to come to the aid of a group of refugees ... See full summary »
Aniara is the story of one of the many spaceships used for transporting Earth's population to their new home-planet Mars. But just as Aniara leaves the ruined Earth, she collides with an asteroid and is knocked off her course. Aniara's passengers slowly realize that they'll never be able to return; they will continue onwards through an empty and cold universe forever. The Swedish Nobel prize winner Harry Martinsson wrote Aniara in 1956. The novel has been translated into a number of different languages, including danish, finnish, english, russian, czech, arabic, japanese and most recently chinese. It has been staged as opera and several theatrical productions, but has never before been filmed. In Aniara's inexorable journey towards destruction there is a warning that cannot be emphasized enough. There's only one Earth. We have only one life. So, we have to take responsibility for our actions and constantly guard our environment and our humanity. If we don't, Earth will soon be a ...
Spaceship Accelerating to Mars; Human Nature takes Control
"There is protection against almost everything, against fire and damage through storm and cold, but there is no protection against humanity," said Nobel Prize winner Harry Martinson, upon whose poem this film is based. On a spaceship accelerating to Mars from the ruined earth, people shop, eat and - with the help of virtual reality - dream as they always have done. When the ship veers off course, crew leaders try to keep the passengers from learning the truth. Power struggles ensue, fantasies and fears displace reality, and the ship starts to resemble (gasp!) a mini city on earth. Caught in the middle of the chaos and the factions is a cheerful woman who tries to make the best of the unfortunate circumstances. If only her companions would let her.
Poignant and relevant to contemporary culture, directors Kagerman and Lilja adapt the poem remarkably well to the screen. The film is wonderful for what it says about human nature. The salient moral is that technology is not fail safe, and only as good as the powers who wield it. The film is hampered by a skimpy budget, shaky camera work and bad transitions, but overall the acting is believable, and it is a fascinating glimpse at the human talent for avoiding reality, for better or worse, in whatever sphere we happen to occupy. World premiere seen at the 2018 Toronto International Film Festival.
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