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| Credited cast: | |||
| Jennifer Ehle | ... | Amanda | |
| Morfydd Clark | ... | Maud | |
| Lily Frazer | ... | Carol | |
| Turlough Convery | ... | Christian | |
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Linda E Greenwood | ... | Passerby on beach |
| Lily Knight | ... | Joy | |
| Noa Bodner | ... | Hilary | |
| Marcus Hutton | ... | Richard | |
| Faith Edwards | ... | Agency Woman 2 | |
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Carl Prekopp | ... | Homeless Pat |
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Rosie Sansom | ... | Ester |
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Susanne Schraps | ... | Amandas Friend |
| Jel Djelal | ... | Barman | |
| Fiona Thompson | ... | Nurse | |
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Jonathan Milshaw | ... | Handsome Man |
There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly ... Written by Toronto International Film Festival
"Tis better to be that which we destroy," claimed Macbeth "than by destruction dwell in doubtful joy." A young Christian hospice nurse, Maud, struggles with this notion when she is charged with taking care of cancer stricken Amanda. The pair are opposites save for arrogance and self-righteousness. "Nothing worth trying comes easy" is Maud's mantra, yet she gains little traction with Amanda. In doubt, desperation and loneliness, Maud doubles down on her distorted beliefs and spirals out of control.
This tense and spell-binding film employs compelling techniques including pulse quickening ambient sound, funnel clouds that mirror Maud's disordered state of mind, sideways and upside-down camerawork to portray drunken delirium and more. A female perspective in this male-dominated genre is refreshing and fascinating. Morfydd Clark (Maud) and Jennifer Ehle (Amanda) are fantastic in their portrayals. An intriguing bit of information was revealed in the question and answer session after the film's shocking conclusion; Morfydd is Welsh and when she appears to speak in tongues, she is actually speaking Welsh that is slowed down enough to be almost unrecognizable. The production crew was careful not to dwell in one location so the setting might appear to be anywhere. Seen at the Toronto international film festival.