When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Follows the charming yet troubled Ben Burns (Hedges), who returns home to his unsuspecting family one fateful Christmas Eve. Ben's wary mother Holly Burns (Roberts) welcomes her beloved son's return, but soon learns he is still very much in harm's way. During the 24 hours that may change their lives forever, Holly must do everything in her power to avoid the family's downfall.
In the current spate of young-men-in-addiction, this one reveals the horror at home better than any other treatment.
In the many treatments of troubled young men this year (Boy Erased, Beautiful Boy, Burning, to name ones I'm aware of), Ben is Back is the most affecting. Ben (Lucas Hedges) has bolted from his rehab clinic to spend time with his loving family. Although the film devolves into a quasi-thriller, the first half or so depicts with alarming clarity what it means to have a heroin addict in the house, even for a day. It's hell.
His Mom, Holly (Julia Roberts), is the one most acutely aware about hiding anything that her son might use to get off the wagon. Holly is one of the strong women characters for this year, reminding that Roberts has the chops to pull of a heavily dramatic role, as she did in Erin Brockovich and August: Osage County. Hedges, like Roberts, gives a performance of his much shorter lifetime.
The household stress is shifted when Ben's pet dog is stolen for ransom to lure him back into the dealer game. Director Peter Hedges (father of Lucas) has mom and son searching for the dog but also for a connection that can erase Ben's addiction. Finding the dog is the action to make the film come alive and to show the audience the scary world of drug dealers.
By moving the action to the search outside the home, Hedges has lost the demanding drama of family adjustment including the teen sister, Ivy (Kathryn Newton), the two younger siblings, and the tough-love Dad, Neal (Courtney B. Vance). The world of dealers we have seen before, but such a slice of upper-middle class turmoil has been too infrequently portrayed. Even Beautiful Boy didn't involve the audience as much as Ben is Back does.
By adding the dealer turn of the screw, Hedges has revealed the convoluted and pain-giving world of addiction, now planted firmly in homelife, where even the streets must compete for tragedy and despair.
Although Ben is Back has formulaic elements and an unfortunate clustering with other young-men lost films this year, it stands alone in revealing the horror addiction unleashes at home
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