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All About Nina (2018)

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Nina Geld (Winstead) is a bracingly funny and blisteringly provocative stand-up comedian whose career is taking off, but whose personal life is a near-complete disaster. To escape a ... See full summary »

Director:

Eva Vives

Writer:

Eva Vives
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1,894 ( 1,147)
1 nomination. See more awards »

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Cast

Credited cast:
Mary Elizabeth Winstead ... Nina Geld
Common ... Rafe
Chace Crawford ... Joe
Camryn Manheim ... Debora
Jay Mohr ... Mike
Mindy Sterling ... Amy
Angelique Cabral ... Carrie
Clea DuVall ... Paula
Kate del Castillo ... Lake
Beau Bridges ... Larry Michaels
Rest of cast listed alphabetically:
Samantha Rose Baldwin ... Innocent Girl
Vanessa J. Beck ... Waitress
Tom Beyer ... Fred
Nicole Byer ... Leslie
Melonie Diaz ... Gloria
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Storyline

Nina Geld (Winstead) is a bracingly funny and blisteringly provocative stand-up comedian whose career is taking off, but whose personal life is a near-complete disaster. To escape a difficult ex and to prepare for a prospectively life-changing audition, Nina flees to Los Angeles where she meets Rafe (Common), who challenges almost every preconception she has -- including those around her own deeply troubled past.

Plot Summary | Add Synopsis

Taglines:

Get your act together.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content and language throughout, some nudity and brief drug use
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Details

Country:

USA

Language:

English

Release Date:

28 September 2018 (USA) See more »

Filming Locations:

New York, USA See more »

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Box Office

Opening Weekend USA:

$26,468, 30 September 2018, Limited Release

Gross USA:

$90,785, 18 October 2018
See more on IMDbPro »

Company Credits

Production Co:

Diablo Entertainment (II) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Connections

References On the Waterfront (1954) See more »

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User Reviews

 
Winstead owns it
28 September 2018 | by ferguson-6See all my reviews

Greetings again from the darkness. There are dark comedies and then there is the first feature film from director Eva Vives (although she wrote the screenplay for RAISING VICTOR VARGAS). It's really a dark drama with both feet in the stand-up comedy world, so we find ourselves laughing at the (profane) jokes, despite a lead character that is in desperate need of emotional salvation.

Mary Elizabeth Winstead is dynamite as Nina Geld. And dynamite is meant to have two definitions here. She is terrific in the role, and she (her character) explodes with little notice. Nina Geld is definitely provocative. She is definitely a feminist. She is definitely funny, and she is most definitely messed up. We learn all of this in the first 5 minutes, and spend the rest of the movie waiting to see whether she self-destructs or is somehow saved.

We first see Nina as she delivers a set on stage at a comedy club. Her act is mostly about sex and the misery of relationships. We soon learn why she seems to have little happiness in life. The abusive married cop (Chace Crawford, Tony Romo's brother-in-law) she has been seeing interrupts the one-night stand she was looking forward to. It's quite unsettling to watch this unfold, and it seems to be the final straw needed to push Nina to relocate from New York City to Los Angeles. It's southern California where her agent (Angelique Cabral) has arranged for to audition for "Comedy Prime" - a one hour comedy special produced by Larry Michaels (played by Beau Bridges).

In L.A., Nina rooms with a stereotypical southern California "New Age" type (Cate del Castillo) who senses energy fields and remains quite civil in her arguments with her partner (played by Clea DuVall). Mostly we see what a damaged soul that Nina is, and bearing an unfair brunt are her mother (Camryn Manheim), her mom's friend (Mindy Sterling, AUSTIN POWERS), and a fellow comic (Jay Mohr).

When Nina meets Rafe (Common, in a rare leading man role), she begins to show her first signs of actual human connection. And of course she is confused by this, and her self-destructive being rears up. The big reveal as to the cause of Nina's constantly confused state (I don't believe the therapy sessions are working) is held back until late in the final act ... and it's a doozy that leads to a painfully honest on stage meltdown.

Ms. Winstead is really terrific here, and she is absolutely believable in her stand-up bits. In fact, the montage of impressions and her constant fine-tuning of the act are almost as good as the heavy drama pieces she excels at. The film itself is kind of a mash-up of stories, but it's her performance that keeps us onboard ... even as we question her character's stability (and incessant hair tussling).


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