Greece in 2015: the economy is in tatters and the country is on the verge of bankruptcy. A new government rebels against the EU's iron-fisted rule and inspires millions of Europeans. Based on the political memoirs of Yanis Varoufakis.
Camille, 12, passionate about circus, is the eldest of a large family. One day, her parents enter a religious community based on sharing and solidarity in which they invest fully. The girl ... See full summary »
A cop of provinces moves Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm.
In Marseille, a family gathers for the birth of baby Gloria. But despite the joy, the young parents have fallen on tough times. As they try to make ends meet, they reconnect with Gloria's ex-convict grandfather.
The newly appointed CEO of a giant European investment bank works to hold on to his power when an American hedge fund company tries to buy out his company.
Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
After 20 years of marriage, Maria decides to leave. She moves to the room 212 of the hotel opposite her marital home. From there, Maria can scrutinize her apartment, her husband, her wedding. She wonders if she has made the right decision.
Director:
Christophe Honoré
Stars:
Chiara Mastroianni,
Benjamin Biolay,
Vincent Lacoste
The mayor of Lyon is in existential crisis. After 30 years in politics, he feels totally empty and devoid of ideas. As a fix for this problem, his aides bring a brilliant young philosopher, into his inner circle.
Provides an extraordinary account of low cunning at the heart of Greece's 2015 financial bailout. The more defiant the left-wing Syriza government became, the more it was met with intimidation from some or duplicitous reassurance from others.Written by
Ulf Kjel Gür
In the closing credits, most of the depicted personalities are cited only with their first name : "Yanis", "Alexis", "Wolfgang", "Christine", "Emmanuel".... One notable difference is Jean-Claude Junkers who is cited as "Junkers". See more »
Well, I am a fan of Mr. Costa-Gavras and I have seen the majority of his movies but I had expected something more than that film. Although Mr. Gavras insisted that his film was fiction no matter whether it was based on Varoufakis' book I expected that it would depict the intensity of those days and although the film can be seen with real interest by the spectators it lacks intensity, passion. In comparison with his previous movies I would describe it as flat.
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Well, I am a fan of Mr. Costa-Gavras and I have seen the majority of his movies but I had expected something more than that film. Although Mr. Gavras insisted that his film was fiction no matter whether it was based on Varoufakis' book I expected that it would depict the intensity of those days and although the film can be seen with real interest by the spectators it lacks intensity, passion. In comparison with his previous movies I would describe it as flat.