Commissioner Beffrois waits for retirement with mixed enthusiasm when a theft of paintings catches his attention. Is it the elegance of the process? The audacity of the crime? The beauty of the stolen work? Belfry launches in search of an atypical thief, a real draft, an acrobat in his spare time.Written by
Hugo Van Herpe
Trained for the Image trades, Lucas Bernard has notably turned as assistant operator with Coline Serreau or Tonie Marshall, and as a cinematographer with René Féret. He also collaborated on several scenarios and wrote a novel (LES LACETS ROUGES, published in Le Seuil). In 2014, he went on to direct with the short film LA PLACE DU MORT. UN BEAU VOYOU is his first feature film. See more »
Tu parles, Charles!
First effort by Lucas Bernard ,both director and screenwriter;his work as a writer leaves a lot to be desired : his story is complicated instead of complex, full of plot holes ,and it's really difficult to pigeonhole the movie: a detective story? rehersals for retirement?(isn't it a bit ironical for a first work?)A (bland) love story?a depiction of social customs of contemporary times?A gibe at modern art ?A tribute to Arsene Lupin and to Louis Feuillade 's Musidora of the silent era?
It does not make a good movie for all that .In the first part ,every scene seems to be the beginning of the film ,and the cop's investigation ,apart from some good lines such as: "the robberies in museums are risky :try to flog "Mona lisa!";so robbery in the wealthy parvenus's houses is a better job.
Fortunately , there are actors who can save something from the wreckage :an actor who works on stage as well as in the movies ,Charles Berling is one of them ;without him ,I would have yawned my head off all along this bore .In my book,everything rests on his shoulders : wearing a wry smile, often overtaken by events (like the cops in old Arsene Lupin), ill at ease in those galleries of weirdoes (the "invitation") or nouveaux riches (our hero does not have a clue in art),he walks through the film like a tourist , rehearsing for retirement .Too subtle a thespian for the part , he nonetheless succeeds in making us feel his fear of retiring (his "I 'll take care of my grandchildren" does not convince anybody ,even himself ): for that matter ,the very old grandad "they don't know to do with "is an ominous prospect .
He may envy the "beau Voyou" (beautiful lout),his youth and his attractive girlfriend ,but he had the last laugh (the very last picture).
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