Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
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In the early 1970s, Ron Stallworth is hired as the first black officer in the Colorado Springs, Colorado police department. Stallworth is initially assigned to work in the records room, where he faces racial slurs from his coworkers. Stallworth requests a transfer to go undercover, and is assigned to infiltrate a local rally at which national civil rights leader Kwame Ture (birth name Stokely Carmichael) is to give a speech. At the rally, Stallworth meets Patrice Dumas, the president of the black student union at Colorado College. While taking Ture to his hotel, Patrice is stopped by patrolman Andy Landers, a corrupt, racist officer in Stallworth's precinct, who threatens Ture and sexually assaults Patrice..
Spike Lee and John David Washington are both graduates of Morehouse College, a historically black school in Atlanta, Georgia. Frequent Spike Lee collaborator Sam Jackson is also a graduate. See more »
Toward the end of the film, during the car pursuit sequence, a vehicle quickly rounds a bend in a sweeping crane shot. A jump cut is clearly visible during this shot (presumably from stitching two takes together), and then there's an immediate cut to a take from inside the car rounding the same bend again.
In this second shot, one can clearly see the entire technocrane thru the car window as it passes thru the shot - in addition to roughly 15 obvious crew members standing around it. See more »
Dr. Kennebrew Beauregard:
Hello, my fellow Americans. They say we may have lost the battle but we didn't lose the war. Yes, my friends, we are under attack. You may have read about this in your local newspapers or seen it on the evening news. That's right. We are living in an era marked by the spread of integration and miscegenation. The Brown decision. The Brown decision, forced upon us by the Jewish-controlled puppets on the U.S. Supreme Court, compelling white children to go to school with an inferior ...
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Spike Lee has created an almost unimaginably uneven career in films, but it has never been in doubt, that he is one of the most talented American filmmakers of his generation. And should you have forgotten that, now you can remind yourself by watching the amazing "BlacKkKlansman", which won the Grand Prix at Cannes in May.
"BlacKkKlansman" tells the true story of a rookie African American police officer who in the 70's infiltrated in the KKK, but that's certainly not what the movie is about. Lee tackles head-on the contemporary hot topics of racism, the police killing black Americans, and white supremacy to create an overwhelming pamphlet about the American identity - which has been hurled into a state of great confusion after the last presidential election.
Movies don't come much more political as this one. In a way, "BlacKkKlansman" is a companion piece to "The Post" - a movie that similarly discussed the current political climate in a 70's setting - but with loads more of blackness, humour, anger and attitude. It's a better movie, too.
Though not perfect. Form-wise, "BlacKkKlansman" is sometimes paced oddly and feels needlessly long: not overlong, exactly, because you're not going to be bored for a minute. Visually it could have used a little more of the delicious textures typical of those 70's blacksploitations it makes references to.
But Lee is such a virile storyteller, that you can't help but get sucked in it all. And he has SO much to say. "BlacKkKlansman" is at its savage best when putting in perspective the official holier-than-thou image of the white Americans: Harry Belafonte cameos as an eye-witness of the beastly lynching of Jesse Washington in 1916.
Actors in "BlacKkKlansman" are great. John David Washington excels in the lead role. Adam Driver signs what is arguably his best role to date. Ryan Eggold is terrific as the local boss of the KKK, and the Finnish Jasper Pääkkönen impresses as his right hand man. The biggest surprise of all is Topher Grace, who is near-ingenious as David Duke, a well-mannered bag of sleaze in a three-piece.
"BlacKkKlansman" is an incredibly rich and stirring piece of contemporary cinema with enough stuff to fuel a conversation for hours. Or days. You can get a lot less with a price of a movie ticket these days.
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