A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place... Read allA soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.
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I'll get the major cons out of the way first. This movie suffers from the usual problem Hollywood film always seem to have -- no money to afford electricity. Most of the movie is shot entirely in the dark, so goodness knows what happened in those scenes. Also, one or two key bits of dialogue that explain what's really happening are totally lost to mumbling.
However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.
There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.
I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.
Pretty good movie with strong performances all round.
However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.
There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.
I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.
Pretty good movie with strong performances all round.
This movie is relatively good. Movie goers cannot seem to watch movies for what they are now but constantly need to analyze and compare elements of the movie to other films. This movie is a little on the slower side. If you like slow building, psychological thrillers, this one is for you.
There are good films, there are bad films and there are films that are convinced they belong to the Louvre when they are nought but self-indulgent, boring claptrap.
You guessed right, you smarty pants film buff. The Lodge fits right into the latter category. It aims at being an intelligent, wonderfully filmed and acted, slow-burner but ends up being the intellectual equivalent of someone who ate a double portion of beans and unwittingly locked himself in a closet.
"The Lodge" is one of the best films I have recently seen. It is impossible to write a synopsis without spoiler since the movie has many plot points. The story and the mystery are engaging and the viewer does not know what is happening to Grace and the kids. This a psychological horror film and the conclusion is perfect for the situation. I believed Richard Armitage was Hugh Jackman, my mistake. My vote is seven.
Title (Brazil): Not Available
Title (Brazil): Not Available
I attended the east coast premiere of "The Lodge" a few weeks ago and can say it will most likely be 2020's most polarizing and divisive horror release.
If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.
Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.
I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.
If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.
Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.
I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
Storyline
Did you know
- TriviaThe painting of Mary seen in the opening scene and throughout the movie is a reproduction of L'Annunciata (Virgin Annunciate) by Italian Renaissance artist Antonello da Messina (1430-1479).
- GoofsWhen Grace comes out of the shower, she wraps a dark towel around her waist. In the next scene, when she wipes the steamed-up mirror with her hand, she is wearing a white towel around her top.
- ConnectionsFeatured in WatchMojo: Top 10 Horror Movies of 2020 So Far (2020)
Details
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- Language
- Also known as
- La cabaña siniestra
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Box office
- Gross US & Canada
- $2,138,907
- Opening weekend US & Canada
- $76,251
- Feb 9, 2020
- Gross worldwide
- $3,155,858
- Runtime1 hour 48 minutes
- Color
- Aspect ratio
- 1.85 : 1
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