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Title: Leto (2018)
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| Credited cast: | |||
| Teo Yoo | ... | Viktor Tsoy (as Teo Yu) | |
| Irina Starshenbaum | ... | Natalia Vassilievana 'Natasha' Naumenko | |
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Roman Bilyk | ... | Mayk Vassilievitch Naumenko (as Roma Zver) |
| Rest of cast listed alphabetically: | |||
| Anton Adasinsky | ... | Khozyain kvartiry (as Anton Adasinskiy) | |
| Liya Akhedzhakova | ... | Khozyayka kvartiry | |
| Yuliya Aug | ... | Anna Aleksandrovna | |
|
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Filipp Avdeev | ... | Leonid aka Liosha |
| Aleksandr Bashirov | ... | Angry man on train | |
|
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S. Berdichevsky | ... | Draftee |
| Nikita Efremov | ... | Bob | |
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Nikita Elenev | ||
| Anastasiya Evgrafova | |||
|
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Aleksey Fokin | ... | Lesha |
| Aleksandr Gorchilin | ... | Punk | |
|
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Ilya Karpenko | ... | Trolleybus Passenger |
A love triangle emerges around a rock and roll musician, his protege and his wife in 1980s Russia.
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Leto is one of these rare movies that know how to talk to your heart, to open it up and awaken all the dreams you ever thought of. Leto is a little jewel, the one in which resides such powerful, impacting strength but also a beauty that you can only admire.
The movie puts us in the underground rock scene of late Soviet Union. It sets itself in a climate where change is asked but also felt, the times of the Perestroika. But yet control over culture is really strong. The way youth wants to express itself, by the music they listen to and make (music inspired in many occidental rock groups) is only limited to abandoned warehouses where access is restricted, under control of the regime's police. This creative climate is always contained, but never feels oppressive for the viewer nor for the characters that actually act with great liberty. And this is particularly thanks to Serebrennikov's directing. He uses all cinema's artifices, pushes the limits of staging to create his own universe. The black and white creates an atmosphere of such simplicity, yet full of possibilities. The adopted view expresses how all the characters and all the legends that forged this period were great dreamers at core. They had dreams, they dream all along, they tried to transmit their dreams in the frame that was imposed to them. They created a new vision, a new world. The power of youth for change is one of the great motors of this movie. But the real beauty is that the movie never falls in a pamphletarian tone, it always stays with this optimist vision that awakens the dreamer in each one of us, and encourages everyone to pursue their dreams. Although it's dealing with past, Serebrennikov's tale is still really relevant in our time, where we all absolutely need to dream and need to fulfill our dreams to escape this anxiogenous climate that reigns in our society. The movie warms your heart, gives you power and energy for change -whatever type of change it is- and that's where resides all the greatness of the movie; it is a source of light that will reheat your heart, and give you hope.
That's why I am still scandalized that it didn't win a single prize in Cannes when it is one of the movies that was really worth winning a distinction. It would of been the occasion of giving a great impulse to this creative, crazy and ambitious cinema, that throws traditional codes away and finally dares to brake rules ! It would of been the occasion to recognize the talent and vision of Serebrennikov that is, we all know, put at risk by elements that he cannot control.
So go, run to watch this hymn to youth, revolution, change, beauty and dream !