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Title: Clementine (2019)
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| Cast overview, first billed only: | |||
| Sonya Walger | ... | D. | |
| Otmara Marrero | ... | Karen | |
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Ramsey | ... | Ramsey |
| Sydney Sweeney | ... | Lana | |
| Meeko | ... | Bingo | |
| Will Brittain | ... | Beau | |
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Gregory Brady | ... | Country Store Owner |
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Sean Sisson | ... | Young Man |
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Camille Carpenter | ... | Young Woman |
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Alissa Jessup | ... | Bartender |
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Clinton Evans | ... | Man at Bar |
| Laura Faye Smith | ... | Karaoke Singer | |
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Christopher Tallmadge | ... | Smoking Man (as Christopher Tallamadge) |
| Samuel Summer | ... | Derrick | |
| Will Cuddy | ... | Matt | |
Reeling from a one-sided breakup, heartbroken Karen breaks into her ex's lake house. There, she strikes up a complicated relationship with provocative younger woman Lana.
I am a fan of slow-burns and I always seem to find good elements in almost any movie, but this film constantly felt like something was about to happen, something was going to twist or reveal itself, but it never does.
This film is honestly bizarre as it literally doesn't have an ending. The movie just ends seemingly randomly without any reveal or clearly signified conclusion. It literally feels like they forgot to add in a scene.
I enjoyed the locations and the odd character dynamics between the main characters, but I kept expecting more from Lana's character specificity. She is built up as a possible liar and complex character, but that is completely thrown out. None of the characters in this film I felt sympathetic towards and I disliked all of them. Unlikable main characters can work sometimes depending on the story you want to tell, but in this case it seems accidental.
I have no idea if the director even wanted to communicate a clear story, all I can do is make assumptions. There wasn't enough information conveyed about D., Karen's ex. All I can assume is that Karen didn't want to repeat the dynamic between her and her ex with Lana, but this really wasn't conveyed in a clear way. Actually, after the final phone call, it seems like the only true victim in this story is Lana herself, but I have no idea if that's how the director wanted the "ending" interpreted. The ending is open, but not in a good way.
Overall, this film wants to tell too much with too little.