Set during China's Three Kingdom's era (AD 220-280). The story of a great king and his people, who will be expelled from their homeland and will aspire to claim it. The king, violent and ... See full summary »
Twelve year old Li Wan (Zhang Xueying) has lost her mother long ago. When she grew up, her father remarried. Not long after, Li played with a half brother. This series of events lead to ... See full summary »
A young swordsman in 1930's China returns home to try and solve a five-year-old murder case. Described as the third installment of the gangster trilogy that includes "Let The Bullets Fly" and "Gone With The Bullets."
The Hong Kong police are hunting a counterfeiting gang led by a mastermind code-named "Painter". In order to crack the true identity of him, the police recruits gang member Lee Man to unmask "Painter's" secret identity.
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.
Positively, the expressive power of the lens language in Zhangke Jia's works has been steadily rising. This more refined detail and the high-level performance that Zhao Tao has been maintaining recently constitute the biggest attraction of this film.
However, the combination of the era restoration and the theme of the drama in the past works have not been realized.
Therefore, the narrative ambition to break the dimension wall seems to be more like a gimmick, and eventually leads to the disconnection of the middle part of the film.
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