8.5/10
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11 user 4 critic

I'm Dreaming of a White Doomsday (2017)

A mother and her 8 year old son struggle to survive in a bomb shelter after an unnamed apocalypse.

Director:

Mike Lombardo

Writer:

Mike Lombardo
Reviews
4 wins & 10 nominations. See more awards »

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Cast

Credited cast:
Holly Andrew Holly Andrew ... Wounded girl / photographer
Hope Bikle Hope Bikle ... Kelly Enck
Reeve Blazi Reeve Blazi ... Riley Enck
Damian Maffei ... Simon Enck
Shannon Moyer Shannon Moyer ... Santa Claus
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Storyline

A mother and her 8 year old son struggle to survive in a bomb shelter after an unnamed apocalypse.

Plot Summary | Add Synopsis

Taglines:

No food. No hope. Noel.

Genres:

Drama | Horror

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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

20 October 2017 (USA) See more »

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Box Office

Budget:

$10,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Reel Splatter Productions See more »
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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

Exterior shots were filmed in various isolated and abandoned locations in central Pennsylvania in sub-zero temperatures, notably the White Cliffs of Conoy in Lancaster County. See more »

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User Reviews

 
Santa's wish list just got more interesting
15 November 2017 | by sorrylesslettersSee all my reviews

Good writing is what gets you through a coffee break. Great writing is what gets you through everything else. Mike Lombardo's talented pen proves quite adept at achieving both. His latest work is proof positive that when talent meets passion . . it's a fire starter, because he is bringing some serious heat with this tale.

I'm Dreaming of a White Doomsday marries the traditional plate of merry with an unconventional serving of horrific splendor. Told from a seat at the table inside the end of times, Doomsday leads us on a journey where hope exists in earnest sips.

At the onset, we're introduced to a young family struggling to survive an apocalyptic event inside the din of a bomb shelter. Inside this world of black and white conclusions, the three attempt to color up their future in more hopeful palettes; buoyed by a yesterday whose promise seems a fleeting, wicked tease.

Inside the misery of horrible consequences, Lombardo sprinkles seeds of hope: A father's promise to his young son reads like a sonnet. A mother's vow to return from the wreckage feeds us with the warmth of stolen days. And then there's Santa, trudging through the wasteland in his gas mask, fending off the inevitable tides whilst lugging a sack of mysterious yuletide.

Doomsday reminds us why cinema will never go away. Because there is a magic to the gathering swell of strangers who lose themselves inside the whispers and hush of magical stories.

Stories like this.


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