In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker.
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe.
Robert Downey Jr.,
Joker centers around an origin of the iconic arch nemesis and is an original, standalone story not seen before on the big screen. Todd Phillips' exploration of Arthur Fleck (Joaquin Phoenix), a man disregarded by society is not only a gritty character study, but also a broader cautionary tale.Written by
The film's $96 million opening weekend has beaten It Chapter Two (2019)'s $92 million weekend debut for the best opening weekend for an R rated movie in 2019. Both films are also distributed by Warner Brothers. See more »
When Arthur is taking a smoke break outside the hospital, and the detectives confront him, he gets up and tries to re-enter the hospital but the automatic door doesn't open. Arthur waves frantically at the motion sensor atop the door trying to get it to open. However, motion-sensing automatic doors, now common, were extremely uncommon in 1981; the older bottom mat weight sensor based "supermarket door" style would have been prevalent for automatic doors. See more »
A psychological study, rather than a superhero flick
I have seen Joker yesterday at Venice an early ill-fated screening. We had some trouble with audio that lead to a near-hour delay, but it definitely was worth it.
Joker deserved to be presented at Venice Film Festival, an event that regards cinema as a form of art, because this film is far from a blockbuster or a mere entertainer movie, as most films in the genre are.
It focuses on the psyche of the main character, as it slowly crumbles under the pressure of society. And thus, Joaquin Phoenix does a wonderful performance, earning almost surely a nomination at the oscars at least.
It's a take on the Joker that differs from Ledger's, but I'd say that both are equally as good. The main difference might be that Ledger's joker is a rational that acts insane, while Phoenix's is insane to the root.
Despite being a movie about a superhero villain, Joker is much superior to most of the movies of the genre (I'd exclude the Dark Knight Trilogy only, but Joker is easily as good as Nolan's movies, or at least very close). It is a small-scaled film, with a distinct style and cinematography (that cannot but be appreciated) and a set of very cinephile references that however do not feel too forced or overly opressive. (most notable are the similarities to Scorsese's 'Taxi Driver' and his 'The King of Comedy', but also Chaplin's 'Modern Times' is somewhat referenced).
I am eager to see more non-comedic efforts by Todd Phillips. This movie was so far probably the best of 2019 (at worst contested so far only by Dolor Y Gloria or Once Upon a Time in Hollywood), and that should be very convincing.
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