The Amaranth

The premise of this thriller is interesting and fairly original, but somehow it didn't live up to its potential. That is mainly due to the very slow pace and the lack of any serious action. It's all in the atmosphere, that is supposed to be sinister and creepy, but even that didn't really come about. What didn't help was Melora Walters as the intelligent and suspicious heroine Lily, she constantly acted cranky, sulky or angry, treated her well-meaning old husband (a fine role by Richard Kendrick) condescending, and had an irritating, slurry way of talking, as if she was constantly under the influence of downers.

After some 70 minutes Lily (and we) out of the blue got all the answers to the mysteries (as if the leading doctor of the facility suddenly decided to make a clean sweep!), and after that there is a weird sort of epilogue, in which we see how formerly outraged and indignant Lily a few years later nevertheless drops her principles when it suits her own benefit. It could have been a strong, cynical ending, if it hadn't been presented so abrupt and out of the blue, it looked like either an afterthought of someone in the production who was able to force it into the movie, or as if some substantial material was lost on the cutting table.