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Title: The Fall of the American Empire (2018)
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| Credited cast: | |||
| Maxim Roy | ... | Carla McDuff | |
| Maripier Morin | ... | Aspasie / Camille Lafontaine | |
| Juliette Gosselin | ... | La femme médecin résidente | |
| Vincent Leclerc | ... | Jean-Claude | |
| Rose-Marie Perreault | ... | Natasha | |
| Éric Bruneau | ... | L'enquêteur Plamondon | |
| Rémy Girard | ... | Sylvain 'The Brain' Bigras | |
| Alain Goulem | ... | Sean Harrington (as Al Goulem) | |
| Alexandre Landry | ... | Pierre-Paul Daoust | |
| Claude Legault | ... | L'informateur de la police | |
| Florence Longpré | ... | Linda Demers | |
| Yan England | ... | Jimmy | |
| Ayana O'Shun | ... | Madame Rosabert - la mère de Jacmel | |
| Louis Morissette | ... | Pete La Bauve | |
| Pierre Curzi | ... | Maître Wilbrod Taschereau | |
A shy and insecure delivery truck driver accidentally arrives on the scene of a major crime and happens to pick up two bags of cash and hide them in his truck. As if an interrogation of two tough police detectives isn't enough, the guy, who has a doctor's degree in philosophy which makes his mind mingle with remorse, must find a way to get rid of this dirty money. Only the help of a prostitute and a former biker released from jail might get him out of trouble, especially that a gang leader is very eager to get his cash back, or kill whoever is responsible for this mess. However, even the two bumbling detectives are monitoring the case as well. Written by RealLiveClaude
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French-Canadian filmmaker Denys Arcand won the Best Foreign Language Oscar for THE BARBARIAN INVASIONS (2003), and has gained a very loyal group of followers for his films. It should be noted that, despite the title, this is not a sequel or prequel to Arcand's 1986 film THE DECLINE OF THE AMERICAN EMPIRE. This one is a comedy-crime drama that is as cynical as it is witty, and perhaps as much social commentary as satire. It's yet another rip on capitalism while showing that idealism can work wonders (at least if it's well funded). "Intelligence is a handicap." That's what Pierre-Paul Daoust (played by Alexandre Landry) tells his girlfriend as he breaks up with her in a café. When she points out that he's a delivery driver (similar to UPS), Pierre-Paul riffs on a number of famous writers and philosophers who he claims were dumb as rocks. Her inquiry into Trump being elected President leads to his conclusion, "imbeciles worship cretins". He is the kind of guy that has an answer for everything, and possesses a type of oratory expertise that makes his excuses sound like scientific explanations.
One day while on his route, he stumbles into a robbery gone way wrong. Two thieves were in the process of stealing gang/mob money (and lots of it) when a shooting broke out. In the immediate aftermath, Pierre-Paul makes the snap decision to toss the two huge bags of cash into the back of his deliver truck and take off. This kicks off a chain of events that includes his crossing paths with Aspasie/Camille (Maripier Morin) a high dollar escort whose website features a quote from "Racine". Pierre-Paul is a Ph.D. in Philosophy, so he takes this as a sign.
Shortly after, Pierre-Paul is meeting with Sylvain "the brain" (Arcand regular Remy Girard), a recently released from prison biker who has become an expert on money laundering. The three form an odd partnership and are followed wherever they go by a couple of police detectives. Camille introduces Sylvain and Pierre-Paul to Mr. Taschereau (Pierre Curzi), her dapper former lover who also happens to be the foremost authority on international tax evasion and high finance.
The running joke here is that Pierre-Paul is an upright citizen who has never done anything remotely illegal in his life. In fact, he regularly doles out money to Quebec's homeless and those down on their luck. He also volunteers regularly at a shelter that feeds those in need. The obvious statement here is pointing out the great divide between the wealthy and the poor.
Arcand's film is close to being very good, but falls short in too many areas to reach the height it desires. There is a torture scene that seems totally out of place compared to the tone of the rest of the film, and I refuse to make the link to PRETTY WOMAN - another film where the rich guy wins over the good-hearted sex worker. This film talks about "providence" and just rewards that rarely happen. Is it acceptable to do the wrong thing for the right reasons? Does doing good correct a wrong? Heck, is it even wrong to steal from criminals? What the film actually does is serve up obvious targets with no real solutions offered. The self-congratulatory ending with close-up shots of Quebec's homeless doesn't help.