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Title: Sir (2018)
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| Cast overview, first billed only: | |||
| Tillotama Shome | ... | Ratna | |
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Vivek Gomber | ... | Ashwin |
| Geetanjali Kulkarni | ... | Laxmi | |
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Rahul Vohra | ... | Ashwin's father |
| Divya Seth Shah | ... | Ashwin's mother | |
| Dilnaz Irani | ... | Nandita - Ashwin's sister | |
|
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Bhagyashree Pandit | ... | Choti |
| Anupriya Goenka | ... | Ankita | |
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Akash Sinha | ... | Raju |
| Rashi Mal | ... | Sabina / Sabi | |
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Ahmareen Anjum | ... | Devika (Girl in the bar) |
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Alok Chaturvedi | ... | Jitu - Watchman |
| Saharsh Kumar Shukla | ... | Sabina's driver | |
| Bachan Pachera | ... | Tailor | |
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Anushree Kushwaha | ... | Sales girl |
A prosperous young Indian man falls in love with his servant, a widow with the dream of becoming a fashion designer.
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At each point in the film, you feel society as a transparent, near invisible force between the two characters. THe way spatial distance has been used, dealt with, mirroring society's classification of people, is gorgeous. The performances of both Tillotama Shome and vivek Gomber are fab. Great casting here. From the moment the real collision happens and a spatial barrier of sorts is severed is where the mettle of the writer and so also the film is tested. And it's actually from this moment that the film soars way beyond what one had expected. It coolly and deftly averts every cliche and possible corniness that a story like this could have moved into and instead surprises you with such a rise that few films are able to. Gorgeous debut. Tough to believe it's her first film. Tillotama and Vivek stayed with me as their characters way after the film was over. Congratulations Rohena.