The script has not a real story, but that fact is almost a statement to show that a film can and may be dialogue-driven.
When Tarantino was stupid enough to let every catchy dialogue slip out of his last film, Allen must have caught those lines and let his actors Rock and Roll with them.
Ellen Fanning. Did I know her? No. Do I want to know her forever now? Yes! The two or three scenes where she has monologues are already legendary. And if she keeps her mouth shut, she still completely dominates the frame.
'She' does not easily combine with "melancholic", but Woody Allen is able to show and exploit that side of this city. Love it. No one else is so capable of visualizing the love you can have for this city.
Allen does not often sink through the 'class' his dialogues already have, to really expose underlying emotions in a more raw way. A lot often remains wrapped in infectious and very erudite - Jewish - humor.
But at the very end of this movie actress Cherry Jones has the opportunity to cause goosebumps on my arms in a short, gripping monologue that digs up those emotions. It is proof of the total control that Allen has over his profession over the years.
Just like the entire movie. A control that shows itself in a total release of the material, as if this film was recorded in one take of pure improvisation.
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