A woman seeks revenge against those who orchestrated a plane crash that killed her family.A woman seeks revenge against those who orchestrated a plane crash that killed her family.A woman seeks revenge against those who orchestrated a plane crash that killed her family.
- Awards
- 2 wins & 3 nominations total
Featured reviews
The film builds really well and had me hooked in but it appeared to just continue to do that. I was left feeling like I was still waiting for it to truly kick into action nothing specifically was wrong with it and as a whole I still enjoyed the majority of it. I can't help feeling however that it was a little anti-climatic in the end.
As this thriller opens we see a woman enter a building and point a pistol at an unsuspecting man... the action then jumps back eight months. The woman, Stephanie Patrick, is working as a prostitute in London. She is approached by a reporter who tells her that the death of her parents in a plane crash three years previously was no accident. It was brought down by a bomb and he knows who made it; that person is in London. She buys a gun, intending to kill the bomber but can't go through with it. When she returns to the report's flat she finds him dead. Her only lead is the reporter's ex-MI-6 contact. She tracks him down in the Highlands and he eventually agrees to train her... taking the identity of a dead assassin she starts to hunt those behind the bombing. It won't be easy though; unlike her targets she isn't a natural killer.
I thought this was a decent addition to the revenge thriller genre. The early scenes quickly introduce us to the character of Stephanie and her motives. The scenes of her training in Scotland are solid enough but do go on a bit longer than really necessary, slowing the film down somewhat. Once she has started going after her targets things improve markedly. There is plenty of tension and a feeling that she is in real danger. It helps that, far from being an unstoppable professional, she is a barely competent amateur who is merely good enough and gets lucky. Blake Lively does a really solid job as Stephanie and Jude Law is good as the man she goes to for help; the rest of the cast are fairly impressive too. The film looks great with plenty of interesting locations. Overall I'd not say this was a must see but I did enjoy it so would recommend it to fans of the genre.
I thought this was a decent addition to the revenge thriller genre. The early scenes quickly introduce us to the character of Stephanie and her motives. The scenes of her training in Scotland are solid enough but do go on a bit longer than really necessary, slowing the film down somewhat. Once she has started going after her targets things improve markedly. There is plenty of tension and a feeling that she is in real danger. It helps that, far from being an unstoppable professional, she is a barely competent amateur who is merely good enough and gets lucky. Blake Lively does a really solid job as Stephanie and Jude Law is good as the man she goes to for help; the rest of the cast are fairly impressive too. The film looks great with plenty of interesting locations. Overall I'd not say this was a must see but I did enjoy it so would recommend it to fans of the genre.
Brilliant thriller, is dark, grim at times to begin with but the second half is a very well done thriller that travels many countries. Blake lovely shines in this one. Did the people with low ratings here even watch it till the end? Or just left it in the middle when it kind of gets slower though does not lose it's grip over the viewer. I thought it was a different thriller going by the lack of unrealistic action and stuff there is. The action amd thrills feel very realistic in this movie. Watch it till the end also for the suspense.
In "The Rhythm Section", Blake Lively stars as Stephanie, a grief-stricken drug addict who discovers her family's tragic deaths were not what they seemed. She sets out to find answers and justice. It's an intriguing if familiar premise, but is it worth watching?
The Good
The film has a small cast but it's leading lady carries the load easily. Blake Lively continues her upward trajectory after strong turns in "The Shallows" (2016) and "A Simple Favor" (2018). She gives a wounded performance as Stephanie, a woman whose spirit died along with her family; a still-living victim of a tragedy. Everything from her gaze to how she carries herself screams brokenness. I also liked Jude Law as Boyd, an ex MI6 recluse. He's a hard-ass mentor figure for Stephanie as he attempts to give her skills to survive on her quest for revenge. He's like Obi-Wan Kenobi if Old Ben was a jerk. He provides a more harsh, stark view of the situation, reality-checking Stephanie again and again.
Another aspect of Stephanie I enjoyed was how inefficient she is as an assassin. After she completes her training and heads into the world to seek vengeance she proves to be rather ineffective. I thought she would finish training and immediately turn into a ruthless expert killer, but she proves to not be cut out for it. She lacks the moral numbness and skill to pull it off, which makes her more relatable. There's also a cool chase scene that's a continuous shot from within the vehicle. It's shot well and accompanied by a good score at times. I also appreciated the color pallet of the film, lots of muted, cold colors to reflect the bleak outlook of our protagonist.
The Bad
The movie has a good first act, setting up an intriguing revenge tale that fizzles out in the second. We never get to know Stephanie, she isn't given character development. She has a goal that she desperately wants to fulfill but she doesn't change as a result of achieving that goal. She's the same character by the end as she was in the beginning, only she's sober now. When a revenge film like this lacks action and style it must make up for that with character and story, and it fails on both counts. Altogether, it feels like connecting dots that never create a cohesive image.
The talented Sterling K Brown is dragged into this to give information and wear glasses. He never feels like a character, he's more of a plot device. The score is good in a few scenes, but the soundtrack is off. Thirty seconds of a Velvet Underground song here and a Brenda Lee song there for fifteen seconds. It's like hitting shuffle on a varied playlist at random times. I also wish the filmmaker leaned less on flashbacks. They could have relied on the leading lady to convey the loss she feels rather than reusing the same flashback scene over and over. The script lacks emotional depth and consists mostly of exposition being traded between characters.
The Verdict
I don't recommend seeing "The Rhythm Section". While it has a strong lead performance, the character and her story are never fleshed out, creating a rather empty experience. The film does offer a unique take on the femme fatale genre, but that's not enough to hold it up. The film is overlong and rather dull. Despite an intriguing start it never goes anywhere, and there's not much fun along the way to make up for it's lacking. It unravels into near-incoherence by the end, at which point you won't really care. You'll just wish you saw "1917" again. I wouldn't worry about seeing this one, even on Netflix.
The Good
The film has a small cast but it's leading lady carries the load easily. Blake Lively continues her upward trajectory after strong turns in "The Shallows" (2016) and "A Simple Favor" (2018). She gives a wounded performance as Stephanie, a woman whose spirit died along with her family; a still-living victim of a tragedy. Everything from her gaze to how she carries herself screams brokenness. I also liked Jude Law as Boyd, an ex MI6 recluse. He's a hard-ass mentor figure for Stephanie as he attempts to give her skills to survive on her quest for revenge. He's like Obi-Wan Kenobi if Old Ben was a jerk. He provides a more harsh, stark view of the situation, reality-checking Stephanie again and again.
Another aspect of Stephanie I enjoyed was how inefficient she is as an assassin. After she completes her training and heads into the world to seek vengeance she proves to be rather ineffective. I thought she would finish training and immediately turn into a ruthless expert killer, but she proves to not be cut out for it. She lacks the moral numbness and skill to pull it off, which makes her more relatable. There's also a cool chase scene that's a continuous shot from within the vehicle. It's shot well and accompanied by a good score at times. I also appreciated the color pallet of the film, lots of muted, cold colors to reflect the bleak outlook of our protagonist.
The Bad
The movie has a good first act, setting up an intriguing revenge tale that fizzles out in the second. We never get to know Stephanie, she isn't given character development. She has a goal that she desperately wants to fulfill but she doesn't change as a result of achieving that goal. She's the same character by the end as she was in the beginning, only she's sober now. When a revenge film like this lacks action and style it must make up for that with character and story, and it fails on both counts. Altogether, it feels like connecting dots that never create a cohesive image.
The talented Sterling K Brown is dragged into this to give information and wear glasses. He never feels like a character, he's more of a plot device. The score is good in a few scenes, but the soundtrack is off. Thirty seconds of a Velvet Underground song here and a Brenda Lee song there for fifteen seconds. It's like hitting shuffle on a varied playlist at random times. I also wish the filmmaker leaned less on flashbacks. They could have relied on the leading lady to convey the loss she feels rather than reusing the same flashback scene over and over. The script lacks emotional depth and consists mostly of exposition being traded between characters.
The Verdict
I don't recommend seeing "The Rhythm Section". While it has a strong lead performance, the character and her story are never fleshed out, creating a rather empty experience. The film does offer a unique take on the femme fatale genre, but that's not enough to hold it up. The film is overlong and rather dull. Despite an intriguing start it never goes anywhere, and there's not much fun along the way to make up for it's lacking. It unravels into near-incoherence by the end, at which point you won't really care. You'll just wish you saw "1917" again. I wouldn't worry about seeing this one, even on Netflix.
A very forgettable movie that had no special moments. I was expecting a lot from this film but was sadly disappointed. Story is average at best, weird character development. Extremely disappointed in this film.
Storyline
Did you know
- TriviaFilming started in November of 2017. However, due to Blake Lively's hand injury in December 2017, filming was halted in February 2018 for Lively's recovery and resumed in June 2018. The film's release date was also delayed at least twice. It was originally scheduled for a 22 February 2019 release, before being delayed 10 months, then being rescheduled again, for release on 31 January 2020.
- GoofsLively's character is supposed to be English but her accent is inconsistent throughout.
- Quotes
Stephanie Patrick: You can't have sex with me.
Proctor: That's a relief.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The Rhythm Section (2020)
- SoundtracksDream a Little Dream of Me
Written by Wilbur Schwandt, Fabian Andre, Gus Kahn
Performed by The Mamas and the Papas
Published by TRO-Words & Music, Inc./Warner Chappell, Inc.
Administered by EMI Music Publishing Ltd
Courtesy of Geffen Records
Under licence from Universal Music Operations Ltd
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Nhịp Điệu Báo Thù
- Filming locations
- Dublin, Ireland(setting: London)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $5,437,971
- Opening weekend US & Canada
- $2,715,384
- Feb 2, 2020
- Gross worldwide
- $5,989,583
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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