6.7/10
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Asako I & II (2018)

Netemo sametemo (original title)
Not Rated | | Drama, Romance | 1 September 2018 (Japan)
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.

Director:

Ryûsuke Hamaguchi

Writers:

Tomoka Shibasaki (based on the novel by), Sachiko Tanaka (screenplay) | 1 more credit »
1 win & 5 nominations. See more awards »

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Cast

Credited cast:
Masahiro Higashide ... Baku / Ryôhei
Erika Karata Erika Karata ... Asako
Rest of cast listed alphabetically:
Sairi Itô Sairi Itô ... Haruyo
Kôji Nakamoto Kôji Nakamoto ... Hirakawa
Kôji Seto Kôji Seto ... Kushihashi
Misako Tanaka Misako Tanaka ... Eiko
Daichi Watanabe Daichi Watanabe ... Okazaki
Rio Yamashita Rio Yamashita ... Maya
Edit

Storyline

Asako is a 21-year-old woman, living in Osaka. She falls in love with Baku who has a free spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and she meets Ryohei. He looks just like her ex-boyfriend Baku, but he has a completely different personality. Ryohei is a salaryman, with a sincere personality. Asako falls in love with Ryohei. Written by https://mydramalist.com/24712-sleeping-or-waking

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Japan | France

Language:

Japanese

Release Date:

1 September 2018 (Japan) See more »

Also Known As:

Sleeping or Waking See more »

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Box Office

Gross USA:

$12,013, 13 June 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The chirography of the film title for Taiwan poster is written by popular Taiwanese singer / song writerCheer Chen See more »

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User Reviews

 
an auspicious discovery of a new Japanese auteur in the vein of Hirokazu Koreeda and Naomi Kawase
5 April 2019 | by lasttimeisawSee all my reviews

Emergent Japanese filmmaker Ryûsuke Hamaguchi, after his international breakthrough HAPPY HOUR (2015), is welcomed to Cannes' main competition for its follow up ASAKO I & II, an adaptation of Tomoka Shibasaki's 2010 novel.

The story traces a threadbare template of a young woman Asako's (newcomer Karata in her first film) internal struggle between two men Bako and Ryohei (both played by Higashide), who look just like each other but equipped with polarized personalities. After a prologue setting in Osaka, delineates the evanescent passion between Asako and Bako, the meat of the story relocates Asako to Tokyo, two years after Bako vanishes from her life apropos of nothing, she works in a coffee shop and bumps into Ryohei, a sake company salaryman with an uncanny resemblance of Bako, only, Ryohei turns out to be a gregarious, straight-arrow type that is nothing similar to Bako's enigmatic, ethereal insouciance.

Initially shocked to her core, Asako is gradually won over by many virtues Ryohei exhibits and after a tentative consent of his courtship, their wavering commitment is significantly cemented by the Great East Japan Earthquake in 2011, 6 years later, the present day, they are still together and Asako truly grows into a deeper affection to Ryohei, but a reunion with Hayuro (Itô), her best friend in Osaka, augurs the ineluctable re-entry of Bako, now a celebrated heartthrob, into her life, just after she comes clean her relationship with Bako to Ryohei (who confesses that he has divined a thing or two in the past years) and gallantly waves adieu to that seemingly closed chapter in the life, when the crunch comes, her impulsive reaction betrays the complexity of her id, after a dreamlike nocturnal driving on the highway with her knight in shining armor, she comes to a sudden awakening, and has a daunting job to win over Ryohei's heart again, or maybe not, Hamaguchi imbues a realistic spin in their final shot, both looking right into the camera to their indeterminate future.

Conceptually and thematically evoking Ozon's DOUBLE LOVER (2017), plus as its English title reveals, ASAKO I & II, Hamaguchi's conceit actually zooms in on Asako's dual oscillation (the idealized versus the realistic version of her affection) rather than on his literally doubled male protagonists, but through Karata's passive gaze, quiet performance and greenness, that oscillation is all to well buried underneath whereas Higashide lights up the screen with his compassionate incarnation of an ultimate good guy unfairly taking the short end of the stick in their lopsided relationship, thus the twofold revelations come off as a shade over-dramatic albeit Hamaguchi proves to be a superlative raconteur, it is not an easy job to weave a banal love triangle into an organic entity of compelling watching, and somehow, he manages that with great distinction, especially by conducting a tooth-comb of the narrative arc through supporting characters.

Apart from his gazing-at-the-lens MO (Asako, first meets Bako, then with Royhei in two Shigeo Gocho's SELF AND OTHERS exhibitions, tacitly carries off the parallels), Hamaguchi also struts his stuff with an aptitude with lights and scenic composition, betokened by the gradation of sunlight shadowing the rain-dappled field in the aerial shot near the end. All in all, ASAKO I & II is an auspicious discovery of a new Japanese auteur in the vein of Hirokazu Koreeda and Naomi Kawase, that is something every cineaste should extol!


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