Inspectors Velarde and Alfaro must find what appears to be a serial killer. This hunt against the clock will make them realize something they'd never thought about: neither one of them is that different from the killer.
Antonio de la Torre,
American writer in Paris is hired to do a script for an edgy young director he can't stand. When he falls in love with the director's cold and manipulative pretty sister, his life starts to unravel and he realizes that he's been used.
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed... See full summary »
Ramiro Forteza, a goalkeeper in the Spanish Premier League, is forced by the rigors of the Civil War and the postwar period to earn a living in small villages, challenging the locals to ... See full summary »
Year 1974, Spain. Felipe (Fernando Ramallo) is a teenager who travels with Lorenzo (Antonio Resines), his widowed father. Their only property is the Citröen DS with which they go from one ... See full summary »
Emilio Martínez Lázaro
Rafael witnesses Marina - a woman with a glass eye - being attacked on the street by Daniel; her long-time acquaintance since the orphanage, where they were both raised as kids. He rescues ... See full summary »
Isra and Cheíto are two brothers who have gone their separate ways. When Isra comes out of prison and Cheíto's long mission in the navy comes to an end, they both return to the isle of San ... See full summary »
Israel Gómez Romero,
Francisco José Gómez Romero,
Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives ... See full summary »
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
2007. Manuel López-Vidal is a veteran Spanish politician and the right-hand of Frías, autonomous community's president (working as member of Spain's governing party), who he has an upper high-class lifestyle with his wife Inés and his teen daughter Nati. But behind of his long carrier and the respect of his party's partners and friends as Cabrera, Bermejo, Gallardo and Fernando, truth is totally different: Manuel is a crooked and corrupt man who since many years ago uses his politic position together his friends deviating foreign aids and getting money by means of any illegal way. When Gallardo is arrested accused of fraud and politic corruption, Manuel warms all his friends about to keep silence hoping that the police forgets the case by not founding new evidences. But when it's revealed in the newspapers that himself has been recorded in personal conversations talking about it, the fictional world of respect and honor created by Manuel falls down. With the elections closing the next...Written by
I went to see this wonderful movie with a minimum of information, as usual: a Spanish movie directed by Rodrigo Sorogoyen, with Antonio de la Torre. Nothing more. De facto, with a very positive a priori. During the first minutes, the atmosphere is a Dolce vita full of show-offs, with yachts, rolex, penthouses, prawns orgies and tutti quanti, in a universe of corrupt politicians. A scandal burgeons and one of them will immediately be designed for a sacrifice, in order to preserve the party and the government. Thus, in this extemporary exercise of musical chairs, the victim is Manuel López-Vidal, the main protagonist interpreted by Antonio de la Torre. The movie is quickly and suddenly transformed into a descent into the abyss, or rather a breathless race against the clock until an ultimate and terrific confrontation that might easily be considered as a merciless fight between the two last gladiators still standing within a Roman arena, with a combativeness boosted to the extreme, for the delight of a bloodthirsty audience.
The film deals with corruption through the eyes of a man for whom one feels almost empathy, despite the absence of sympathy. Thus, if this film addresses corruption without really judging it, the focus is primarily on the ability to survive, like manifold other movies, in fundamentally different contexts: Ayka (Sergei Dvortsevoy, 2018), Gravity (Alfonso Cuarón, 2013), The road (John Hillcoat, 2009), 28 days later (Danny Boyle, 2002), Deliverance (John Boorman, 1972), ... Thus, with El reino / The Realm, we may see what a corrupt politicien is ready to do to save his own skin. No matter what! As a conclusion, despite a few idle times, this movie is excellent.
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