An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams.
A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
Kelvin Harrison Jr.
Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.
Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
In this absurdist dark political satire, a somewhat nutty and naive impoverished African American preacher, who along with his worried family and a small group of followers wishes to bring hope to the Miami projects by preaching about his own version of God based on the liberation theology and African nationalism, is forced by a nefarious character to agree to an arms deal in order to save his family from eviction and possibly start his revolution for real. What the preacher doesn't realize is that he has become a target of a complex false flag operation by the FBI to first turn him into a terrorist and then arrest him and score points in the U.S.'s war on terror. However, what the FBI does not realize is that, although a vocal revolutionary, the preacher is also a firm believer in pacifism, a loyal citizen and a very unpredictable character.
We often see this type of misfire in horror (an horror movie that takes itself seriously but would have done better by embracing its absurdity or the opposite, a movie that jokes which kills the much needed tension.)
I will not spoil anything, but I believe there was something in this movie, something under the absurdity and a story to tell. Anna Kendrick did a wonderful job as usual, she is just a gem. But point remains that this movie hesitated before the jump and fell in-between. A good comedy of that genre requires one of the two, someone who takes things seriously while others don't, or someone who doesn't take things seriously while others do. We need a contrast, this movie should have been more grounded.
It's funny, it's good, but it could have had an 8 out of 10. I give it the 8 out of 10 because I am pretty sure most people won't discuss the potential it had on here and just bash.
Again, there is something in this movie, it's just not fleshed out properly.
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