When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
Follows the charming yet troubled Ben Burns (Hedges), who returns home to his unsuspecting family one fateful Christmas Eve. Ben's wary mother Holly Burns (Roberts) welcomes her beloved ... See full summary »
Courtney B. Vance
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
Written by Tom Scholz (as Tim Scholz)
Performed by Boston
Published by Pure Songs
Administered by Next Decade Entertainment, Inc.
Courtesy of Epic Records by arrangement with Sony Music Entertainment See more »
Jason Reitman's Second Film Of The Year Makes For Thought-Provoking Entertainment
When I checked out the reviews for THE FRONT RUNNER after walking out of the theater, I was surprised to find that it was being met with a generally mixed critical reception. That's not to say that THE FRONT RUNNER is some sort of masterpiece, but I definitely thought it was an interesting film, and one that feels rather timely in this day and age (for reasons that are quite obvious). Perhaps the best thing I can say about the film is that it manages to avoid the on-the-nose writing that plagued BLACKKKLANSMAN in more than a few scenes. Reitman smartly lets the film speak for itself, letting the audience draw their own connection between the events that torpedoed Senator Gary Hart's campaign over thirty years ago and similar events that have plagued other politicians over the last few years. If there's one consequence to such an approach, it's that Reitman presents a lot of ideas without ever taking a firm stand on them, failing to elaborate on ideas that almost demand further analysis - an approach that will certainly rub some the wrong way. That being said, there's a lot to enjoy here, from Hugh Jackman's great performance to Jason Reitman's directing (I quite liked the way he utilized the camera here) to Rob Simonsen's low-key electronic score to the rest of the supporting cast (with an affecting Vera Farmiga being the obvious standout). It even reminded me of a bit of I, TONYA in its analysis of the press (how would American history have been affected if not for their obsession over Hart's love life?).
One more thing, though: it might have just been the theater I watched this in, but the sound mixing in this was atrocious. I want to watch this film again with subtitles just so that I can understand the other half of what the characters were saying.
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