Return of the Hero

At least, a good movie that I've seen from head to toe without a second of boreness, and with a stupid grin on my face. I'm tired of all those formated movies, where you know the end from the first image on, because it's so conventional and obvious, because you've seen it a thousand times already... Here, nothing of the sort. A funny story, a perfect interpretation, a cunning ending... No, really, it's been a long time since I had seen a movie that good. I'll see it again with pleasure !

Period dramas are not usually my thing to be perfectly honest and when I read that this movie may in fact be 'swashbuckling' I began to get very worried and hitherto horrifying suppressed memories of Johnny Depp pretending to be Keith Richards in a pirate hat came rushing back to me. So, it came as a great relief and surprise to discover that this film is not really swashbuckling in the least and features no characters pretending to be Bill Wyman while sporting a Bicorne hat. What it actually is, is in fact a rather successfully funny period comedy. The story basically boils down to a French army captain who goes off to war in Austria but neglects to subsequently send letters to his bride-to-be. This leads to her sister surreptitiously writing fake letters pretending to be him with ever-increasing lies and exaggerations. The problems start when this man returns as a vagabond after having deserted his regiment, leading to him adopting the fake heroic persona created for him by the sister, only increasing the tension between them as a consequence.

This one works in a large part on account of the acting performances from the two leads Jean Dujardin and Mélanie Laurent, who are both major French movie stars. Both of them are quite excellent and funny in their roles, with terrific chemistry. The script is definitely amusing and channels the early 19th century by way of 2018, where at one-point Laurent complains about a sexist comment with the line 'it isn't the Dark Ages, this is 1812!'. So, there is much great verbal interplay between the two leads but pleasingly, the film is not afraid to throw in the odd visual gag too, such as where Dujardin hilariously spits into a baby's carriage. Towards the end, there is an injection of morose realism with a well-acted dinner scene, where Dujardin for once details the true nature of his war experiences. But it has to be said, for the vast majority of the time, this one is very much for laughs. The beautiful period detail and costuming only adds a nice dose of colour and production value to proceedings too. But, the most important factor is that this is a very successfully engaging and funny bit of French comedy.

LE RETOUR DU HÉROS turned out far better than I had expected. Director Laurent Tirard is an unknown to me, but he does a competent job and the film generally flows, punctuated by some exceedingly funny moments, and others which reflect keen observation of human nature.

In addition, despite its palaces and smartly dressed people, the action and dialogue are firmly 21st Century. One of the highlights is the returning hero, played by Jean Dujardin, looking dirty and fallen from grace, accidentally spits on a passing baby. Dujardin, an Oscar winner with THE ARTIST, is in good form but it is Mélanie Laurent who steals the show with her intelligent eyes, beautiful face, and impeccably timed delivery, at times delightfully dry, at others quite ebullient.

The exaggerated accounts of Dujardin's "bravery," and the way Laurent lifts or deflates them, according to her interests, are a real pleasure to watch.

I think the film should have ended with the marriage, the last 5-10 mins are the weakest, but by then I felt I had had my money's worth. 8/10

Really light nice French romantic comedy with good acting. Nice evening for with your couple is guaranteed.

It's a nice amalgam of influences: the returned-from-the-dead officer is taken from Le colonel Chabert, the two sisters with contrasting personalities from Sense and Sensibility, and the domestic setup from any French historical film. Jean Dujardin is splendid as the fraudulent hero, Melanie Laurent is very adept as the conniving older sister Elisabeth, and Noemie Merlant is the fiery younger sister who first falls for Dujardin. I admit I was led to watch by Merlant's performance in Portrait of a Woman On Fire, an amazing turn.

Laurent Tirard is a capable director of comedy; he'd already done Moliere with Romain Duris, and the very funny Mensonges et trahisons et plus si affinites... I look forward to his next film.