7.8/10
2,161
1 user 22 critic

Episode #1.7 

As Alyssa reconnects with her dad, a worried James faces a dilemma. Eunice and Teri clash over the best way to approach the teens.

Director:

Lucy Tcherniak

Writers:

Charles S. Forsman (based on the comic book by) (as Charles Forsman), Charlie Covell
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Cast

Episode complete credited cast:
Jessica Barden ... Alyssa
Alex Lawther ... James
Wunmi Mosaku ... DC Teri Darego
Gemma Whelan ... DC Eunice Noon
Barry Ward ... Leslie
Christine Bottomley ... Gwen
Navin Chowdhry ... Tony
Steve Oram ... Phil
Alex Beckett Alex Beckett ... Jonno
Kierston Wareing ... Debbie
Louis Wint ... Milton
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Storyline

Whilst Gwen and Phil are shown CCTV footage of the garage robbery Alyssa and James reach her father Leslie's seaside trailer home. Alyssa is very happy when he makes them welcome but James is perturbed by his child-like eccentricity - and drug-dealing - and feels excluded from the family reunion. Then Leslie sees on TV that the couple are wanted by the police, who, tipped off by Leslie's angry ex-girlfriend Debbie, are closing in on them. Written by don @ minifie-1

Plot Summary | Add Synopsis


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Details

Country:

UK

Language:

English

Release Date:

24 October 2017 (UK) See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
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Did You Know?

Goofs

When Debbie sends the text to DC Noon with the location to where James and Alyssa are staying, the cell chimes due to the text notification. The next shot shows a close-up of the cell screen making visible that it is in vibrate only mode. See more »

Soundtracks

A Way With Words
(uncredited)
Written by Eddy Raven
Performed by Carl Smith
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User Reviews

 
What a flawed and ribald bunch
21 April 2019 | by jarrodmcdonald-67550See all my reviews

The tension between the characters is absolutely palpable. The lewdness at the start of the series had an immature kinkyness to it, a boy dedicated to murder his (who said we were dating?) girlfriend and a girl out to sexually activate and/or embarrass her boy. Now we see that others have much more adult problems that can have a huge impact on their lives. I particularly enjoy the weaving of the supporting characters traits and actions with the potential to impact the central narrative. The screenplay has me more than content. Coming towards its finally this show has really built an aesthetic for itself and I think the score, script and direction has a lot to contribute to that. It's been a truly fun journey deeper into the mirthy pathos of dark comedy


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