Comedian John Mulaney talks about his milk toast boyish looks, his childhood, his Jewish girlfriend, his gayish charm, his favorite TV shows, Ice-T, a homeless person he met in N.Y., and a prostate exam with Batman.
John Mulaney relays stories from his childhood and Saturday Night Live (1975), eviscerates the value of college, and laments getting older in this comedy special. Other topics include the church, his family, Trump and pedophiles abducting kids.
The credits list 126 special guests who appeared onstage during the run as part of George and Gil's talk show "Too Much Tuna." Alan Alda is listed twice. See more »
George St. Geegland:
Oh my god, I'm not gonna get the book deal. And I already bought that sheepdog for the author photo. Boy, that guy's going back to Chinatown.
Strap in, folks.
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In the end credits: "Nick and John would like to thank their families. George and Gil would like to thank Lenny Dykstra." See more »
Time Out Of Mind
Written by Donald Fagen and Walter Becker
Used by permission of Wixen Music Publishing, Inc. courtesy of Freejunket Music (ASCAP) and Zeon Music (ASCAP).
Appears courtesy of Universal Music Group. All Rights Reserved. See more »
I went into "Oh, Hello" knowing very little, and I think that's the best way to go into this. "Oh, Hello" is a weird and stupidly brilliant mix of stand-up and theatre, and as a passionate fan of both of these mediums, I absolutely loved the way Nick Kroll and John Mulaney blended and created this performance. "Oh, Hello" is unique, original, and interesting, and should be considered essential for theatre and stand-up fans. The characters of George and Gil are well executed and extremely fun to watch, and I absolutely love this special. It is one of the most quotable pieces I have ever seen. Don't get me wrong, there are flaws here. The show tries to tackle a lot of different things; an interview, standup, a story, a "ballet", and all these elements are well meaning and pretty well executed, but sometimes, particularly during the interview, they feel a little bit like lulls in the performance. A lot of the jokes, as well, are very New York based, about specific parts of living in and being in New York city, and if you're not familiar with NYC then these might go over your head, even though they're quite poignant and funny. That being said, the elements that Kroll and Mulaney introduce here are extremely interesting and entertaining, and make the show incredibly unique and fun to watch, and if you like performance art of really any form, you'll probably enjoy this. "Oh, Hello" is an excellent example the great kind of creative content a platform like Netflix can provide, and is definitely deserving of at least one watch. 9.5/10
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