Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
In 1962, Tony "Tony Lip" Vallelonga, a tough bouncer, is looking for work when his nightclub is closed for renovations. The most promising offer turns out to be the driver for the African-American classical pianist Don Shirley for a concert tour into the Deep South states. Although hardly enthused at working for a black man, Tony accepts the job and they begin their trek armed with The Negro Motorist Green Book, a travel guide for safe travel through America's racial segregation. Together, the snobbishly erudite pianist and the crudely practical bouncer can barely get along with their clashing attitudes to life and ideals. However, as the disparate pair witness and endure America's appalling injustices on the road, they find a newfound respect for each other's talents and start to face them together. In doing so, they would nurture a friendship and understanding that would change both their lives.Written by
Kenneth Chisholm (email@example.com)
On November 7, 2018, during a promotional panel discussion, Mortensen said the word "nigger". He prefaced the sentence with, "I don't like saying this word", and went on to compare dialogue "that's no longer common in conversation" to the period in which the film is set. Mortensen apologized the next day, saying that "my intention was to speak strongly against racism" and that he was "very sorry that I did use the full word last night, and will not utter it again." See more »
Tony criticizes Don for not being familiar with several black musicians whose music they hear on the radio while traveling, one of the artists being Aretha Franklin. The original poster doubted that Tony would know Aretha Franklin because by the fall of 1962 Aretha had had only six chart hits, none of which reached higher than #37. However, although we think of Aretha today as a soul singer, in the early 1960s she was signed with Columbia Records. Her label failed to recognize her gospel roots and didn't know how to market her. Her early songs were pop/jazz and not the soul music she's remembered for today. Even though her early songs weren't big hits on the Billboard Hot 100, her songs were in the Top 10 on the Rhythm and Blues charts. Given Tony's love for black music, it is not implausible that he would have have been familiar with her. See more »
Dr. Don Shirley:
What on God's green earth are you doing?
Dr. Don Shirley:
Looks more like a piecemeal ransom note. May I? "Dear Dolores"... D-E-A-R.
Dr. Don Shirley:
This is an animal. "I'm meeting all the highly leading citizens of the town. People that use big words, all of them. But you know me, I get by. I'm a good bullshitter." Two Ts in bullshitter. "As I'm writing this letter, I'm eating potato chips, and I'm starting to get thirsty. I washed my socks and dried them on the TV. I should have... brung... the iron..."...
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"Larry the Crow" gets a mention. This was an actual crow that Viggo Mortensen found injured near the set, and tried in vain to nurse back to health. He was no doubt named for Viggo's favorite soccer team, San Lorenzo (Saint Lawrence in Spanish). The team nickname is "The Crows". See more »
... just that it's so inoffensive, safe, and cliche that I feel like I've seen it a million times before. Mortensen and Ali are terrific actors, and I am thankful for them. Without their charisma (and Viggo's willingness to shove insane amounts of food down his throat), I fear Green Book would be dead on arrival.
Mostly, I think this is a movie that's desperately afraid of 'offending' anyone. For instance: if there's a scene with racist cops, there will also be a scene with a good cop down the road, just to make clear that the movie is not stating or suggesting that 'all cops are/were racist'. It's also funny that the good-cop scene happens in the snow, to let us know the characters are back in a blue state, where supposedly life wasn't so bad for a black man after all! This is one of the many simplistic moves that indicate to me that the filmmakers were willing to sacrifice the complexities of their themes for a feel-good entertainment.
The script wants both characters to 'learn' from each other and eventually change and grow, but to make this happen, it turns them into unrealistic caricatures. It's a bit frightening how Shirley is portrayed as a complete ignorant of black culture, but it had to be this way so Tony can be the one to 'introduce' him to it. Tony's transformation comes simply from witnessing racism first hand, as if he never experienced such a thing in his life before - maybe another consequence of this being a blue state-red state movie??
So besides the performances, that speak for themselves, I think it's a very uninspired effort. At one point the characters leave the car for no reason other than to have a dramatic confrontation in the rain, as if rainy night equals 'dramatic weight'. I saw it in a packed movie theater and people seemed to enjoy it. You can't blame them. The movie has a 'now everything's fine' conclusion that can leave audiences in a good state of mind - but it also
shows how simplistic it really is.
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