In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
In 1962, Tony "Tony Lip" Vallelonga, a tough bouncer, is looking for work with his nightclub is closed for renovations. The most promising offer turns out to be the driver for the African-American classical pianist Don Shirley for a concert tour into the Deep South states. Although hardly enthused at working for a black man, Tony accepts the job and they begin their trek armed with The Negro Motorist Green Book, a travel guide for safe travel through America's racial segregation. Together, the snobbishly erudite pianist and the crudely practical bouncer can barely get along with their clashing attitudes to life and ideals. However, as the disparate pair witness and endure America's appalling injustices on the road, they find a newfound respect for each other's talents and heart to face them together. In doing so, they would nurture a friendship and understanding that would change both their lives.Written by
Kenneth Chisholm (email@example.com)
The film is dedicated to "Larry the Crow," a bird that hung around the shooting location. Viggo Mortensen cared for the animal after it was hit by a car. See more »
Tony criticizes Don for not being familiar with several black musicians whose music they hear on the radio while traveling, one of the artists being Aretha Franklin. By the fall of 1962 Aretha had had only six chart hits, none of which reached higher than #37, so it's doubtful that an Italian from the Bronx would have been very familiar with her music. See more »
"Larry the Crow" gets a mention. This was an actual crow that Viggo Mortensen found injured near the set, and tried in vain to nurse back to health. He was no doubt named for Viggo's favorite soccer team, San Lorenzo (Lawrence in Spanish). The team nickname is "the Crows". See more »
Who could've ever greenlit "Green Book"? A (mostly) true story of two men of completely different backgrounds overcoming their own prejudices and the stifling racism of the Deep South of the early 1960s. We'll hire a Danish guy to play an Italian guy, and a guy best known for playing a political fixer and a dope dealer (in "House of Cards" and "Moonlight", respectively) to play a Jamaican-American musical genius. And we'll have one of the Farrelly brothers direct it. How could that possibly become a great movie? Well, it does- primarily through the great performances of Viggo Jorgensen and Mahershala Ali, and the nuanced directing of Peter Farrelly. It confronts the racism prevalent at the time without becoming preachy, and shows its main characters growing through contact with each other, without a complete reversal of their characters (which would've seemed phony). Oh, and the movie looks great, too- the period cars, sets, and costumes really take you back to that time period. A film festival favorite, "Green Book" will hopefully be appreciated by Oscar voters, too.
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