Larger than life, wild, scary and androgynous - Grace Jones plays all these parts. Yet here we also discover her as a lover, daughter, mother, sister and even grandmother, as she submits ...
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Like many outstanding works of art, this clip is a Frankenstein of video clips using of a selection of several collages and edits of previous Grace Jones clips and commercials that make a ... See full summary »
From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley's life and career are on full display, in a poignant portrait that ... See full summary »
André Leon Talley,
The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio ... See full summary »
Larger than life, wild, scary and androgynous - Grace Jones plays all these parts. Yet here we also discover her as a lover, daughter, mother, sister and even grandmother, as she submits herself to our gaze and allows us to understand what constitutes her mask. The stage is where her most extreme embodiments are realised and her theatrical imagination lets loose: this is where the musical of her life is played out. The film includes Grace's unique performances singing iconic hits such as Slave To The Rhythm, Pull Up To The Bumper, as well as the more recent autobiographical tracks Williams' Bloods and Hurricane. These personal songs also link to Grace's family life, as the film takes us on a holiday road trip across Jamaica, where her family roots and the story of her traumatic childhood are uncovered. In Jamaican patois, 'Bloodlight' is the red light that illuminates when an artist is recording and 'Bami' means bread, the substance of daily life. Grace Jones: Bloodlight and Bami ...
This is half concert film, half intimate portrait. What I took a way from it most was the stark contrast between the stunning visuals and slick production of her performances and the bare bones existence of Spanish Town in Jamaica where she was born. (Yet here's a certain tranquility to the people we meet there.)
Fortunately the subject of the film is someone to whom a lot of people could listen and watch all day. For those who aren't into her, 115 minutes may seem too long, but even they would have to marvel at someone in her late sixties moving with such agility and athleticism. (She sweats buckets.) I do think she could have let her guard down a little more. I don't think we got as much of the woman behind the image as we could have, but she shares a lot of her history, and that is enough. Sophie Fiennes dad an excellent job balancing the spectacle and the person, with as much as Grace was willing to reveal.
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