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They'll Love Me When I'm Dead (2018)

TV-MA | | Documentary | 2 November 2018 (USA)
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In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The Other Side of the Wind, in itself a film about an aging film director trying to finish his last great movie.

Director:

Morgan Neville
1 win. See more awards »

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Cast

Credited cast:
Peter Bogdanovich ... Himself
Alan Cumming ... Himself - Narrator
Steve Ecclesine Steve Ecclesine ... Himself
Norman Foster ... Himself (archive footage)
Andrés Vicente Gómez ... (as Himself)
Dennis Hopper ... Himself (archive footage)
Danny Huston ... Himself
John Huston ... Himself (archive footage)
Larry Jackson ... Himself
Henry Jaglom ... Himself
Peter Jason ... Himself
Oja Kodar ... Herself
Rich Little ... Himself
Frank Marshall ... Himself
Joseph McBride ... Himself
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Storyline

Orson Welles's final movie, The Other Side of the Wind, started filming in 1970 but by the time of his death in 1985 had not been released. It was finally released by Netflix in 2018. This documentary details the making of the movie and the problems Welles had in completing and releasing it. Written by grantss

Plot Summary | Add Synopsis

Plot Keywords:

netflix | See All (1) »

Taglines:

The True Story of the Last Film From Orson Welles

Genres:

Documentary

Certificate:

TV-MA | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

2 November 2018 (USA) See more »

Also Known As:

Amar-me-ão Quando Eu Morrer See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
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Did You Know?

Goofs

The filmmakers explicitly state at the end of this documentary that the greatest contribution of 'Other Side of the Wind' may be that Orson Welles created the modern documentary film. While we can debate whether that was his intent with OSOTW, the fact is that documentaries have been around since before the 1920s. Documentaries were always very popular way before Orson commenced work on OSOTW. No attempt is made to illustrate why OSOTW may have changed the way we view documentaries from before that time (assuming they meant to say Welles changed the style of documentaries, as opposed to claiming he created documentaries in general, which may be a generous interpretation). See more »

Connections

References Paper Moon (1973) See more »

Soundtracks

Beethoven's Ninth Symphony (Scherzo)
Written by nm0002727
Performed by nm6536151
Courtesy of Naxos of America
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User Reviews

 
The Making of a Film About the Making of Itself
11 November 2018 | by CineanalystSee all my reviews

The best film about the making of "The Other Side of the Wind" (2018) is "The Other Side of the Wind," but this companion piece "They'll Love Me When I'm Dead" is an interesting documentary, too, about the making of a film that was already about its own making. Orson Welles's picture concerns a film unfinished at the time of the director's death, leaving behind a slough of footage for his friends and admirers to assemble into a finished product, which is what has been distributed by Netflix after all these decades. Two films in one, the outer one, from the cameras of documentary filmmakers, already contains a considerable amount of analysis of the meaning of the film within and its director, too. In this respect, it's a wonder there's much ground left to cover in "They'll Love Me When I'm Dead." Welles's film is so multi-layered, though, and so much footage was left out of the ultimate release (reportedly, cutting near 100 hours down to about two), that even this documentary about it allows for multiple and contradictory interpretations and, yet, doesn't even cover much of what also must be a compelling story of what's happened to the film since the death of Welles.

Some of the stuff from the talking heads here is irrelevant (e.g. Welles's reported fondness for Fudgsicals) and armchair psychology, but there's enough information about the production of "The Other Side of the Wind," with clips not used in the release print edited in here, as well as looks at some of Welles's other pictures to make this documentary worthwhile. I think the end clip of Welles wishing that everyone would see his film is especially apt given its final distribution by Netflix, which as the most-popular online movie streaming service offers the best hope of fulfilling that wish. And, Welles's film may be the best thing Netflix has yet distributed. It's a fitting end for a film, too, that is partly about the death of classical Hollywood and the rise of a New Hollywood that admires an auteur of the prior generation and which features then-new forms of motion-picture making and viewing--TV, 16 and 8mm cameras and the drive-in theatre--technologies and platforms that themselves have since been largely or, at least, partially superseded by computers, digital technology, smart phones and streaming.


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