Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to ... See full summary »
Tommaso is the youngest son of the Cantones, a large, traditional southern Italian family operating a pasta-making business since the 1960s. On a trip home from Rome, where he studies ... See full summary »
The only dream of Pietro is to become a famous actor. 28 year-old Pietro is so obsessed with becoming an actor that he does not mind trying every single way. He comes Rome and starts to ... See full summary »
Overburdened and stuck in a greying marriage, Giovanna takes to caring for the Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her ...
Deniz, an acclaimed author, is writing a book about his family and friends. He asks Orhan for critics. The day Orhan came to Istanbul from London, Deniz disappears. Orhan, Deniz's friend Neval and Deniz's lover Yusuf tries to find Deniz.
During an occult ceremony in an old house, a young handsome man seduces Adriano. They spend the night together and make an appointment, but the young man does not come. The next day, Adriana finds out that her lover was killed. Police inspectors also report to the shocked Adriana that the deceased photographed her naked during sleep. Wanting to figure out what is happening, Adriana decides to conduct her investigation.
There are some movies that just aren't meant to be understood, Napoli Velata is one of them without a doubt. Maybe it doesn't have the most amazing plot, it's quite intricate, but I found that the best thing about this movie is the breathtaking sceneries that the city offers, even if just inside a house.
Many have said that it doesn't feel whole because Naples is barely there, but I think that the film just shows a different version of the city that perhaps the "outsiders'" eye can't catch and isn't used to. I was born in this city and one thing that really moved me is actually the way the city is depicted. It's impressive how Ozpetek managed to take the city and use it as the protagonist but at the same time as the background to the story.
It's evidently the point of view of someone that went well beyond the stereotypes (finally) and deep into the roots of the culture and the customs, elements that very much characterize a Neapolitan's identity such as theatre, superstitions and numbers. The movie doesn't want to give a definitive and defined definition of what it shows and I really appreciated it.
26 of 29 people found this review helpful.
Was this review helpful to you?
| Report this