A widowed father and taxi driver who drives a German reporter from Seoul to Gwangju to cover the 1980 uprising, soon finds himself regretting his decision after being caught in the violence around him.
About Nae-kyung who is able to assess the personality, mental state and habits of a person by looking at his face. Because of his abilities, he gets involved in a power struggle between Prince Sooyang and Kim Jong-Seo.
The film tells the story of an elderly woman (played by Na Moon Hee) who constantly files complaints with the local office about the wrongs that she sees around her each day. Along the way,... See full summary »
May 1980. A Seoul taxi driver named Man-seob (SONG Kang-ho) comes across an offer too good to be true. If he drives a foreign passenger from Seoul down to Gwangju and back again before the curfew, he'll be paid the unthinkable sum of 100,000 won - enough to cover several months of unpaid rent. Without stopping to ask the details, he picks up the German reporter Peter (Thomas Kretschmann) and sets off along the highway. Although stopped by police roadblocks at the edge of Gwangju, Man-seob is desperate to earn his taxi fare, and eventually manages to find a way into the city. There they encounter students and ordinary citizens taking part in large-scale demonstrations against the government. Man-seob, alarmed by the danger in the air, pleads with Peter to go quickly back to Seoul. But Peter ignores him, and with the help of a university student Jae-sik (RYU Jun-yeol) and a Gwangju taxi driver named HWANG (YOO Hai-jin), begins shooting with his news camera. As time passes the situation ...Written by
Daniel Joey Albright's voice is entirely dubbed over in his brief appearance as a BBC reporter. See more »
You know... I earned some money in Saudi Arabia. But my wife got sick and I spent it all on hospital bills. At the end, my wife insisted that I buy that taxi. And the doctor said so, too, so I should look after our daughter. We could have tried more meds, but I didn't argue. That's the kind of guy I am. The rest have to go on living, right? Because after my wife died, I got drunk every day.
[Tears begin to stream down his face]
One day I woke up, and she was crying, holding onto her mom's old ...
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Before the end credits roll, a footage shows the real Jürgen "Peter" Hinzpeter speaking out his heart about the desire to meet Kim Sa-bok, the driver again in future. See more »
In one of the Blu-ray versions, the title card and Korean intertitles have been omitted out. See more »
You know that a movie is good when you leave it asking yourself "Why haven't I heard of this before?"
1980. The movie starts harmless. A widowed taxi driver in Seoul struggling to make ends meet for himself and his little daughter. He more or less wants to do the right thing in a country where circumstances aren't all that well but you can live your life. The movie pulls a few heartstrings here and there but never too much. It is surprisingly tactful and the director wisely steps back from the story and lets good actors paint a picture of everyday life.
Enter a German reporter who smells a good story after being tipped off by a BBC colleague who tells him that the generally tense situation in South Korea somehow got worse recently. He needs a driver and the taxi driver needs the money. It is a relation out of necessity and neither of them actually seem to take a liking to each other.
Both soon have to come to terms with the fact that they put themselves into a situation which has great relevance to their country and their professions. Turning away just isn't possible. "Doing the right thing" means that an average person has to find extraordinary courage.
I have to commend the director and his actors for this eyewitness feeling. It is almost like you're another passenger sitting in that little taxi. You don't watch a movie but you are actually there as it happens. The fact that I was largely ignorant of those events in history makes this movie even more significant.
The end result is a movie which is well-directed, with competent acting and impressive camera work. I had very little to criticize but a lot to think about when I left the show and that -to me- often is the sign of a truly good movie. Go see it!
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