When Air Force One goes down over the Bermuda Triangle, the Navy sends its best rescue team. But in saving the president, the team awakens a monster which threatens America's entire Eastern Seaboard and, ultimately, the world.
In medieval England, Merlin and King Arthur banish the evil enchantress Morgana and her son Mordred to the ends of the universe as Morgana vows revenge. In present day, Knights descendant ... See full summary »
Sara Malakul Lane,
When giant monsters crawl out of the Atlantic Ocean and attack the Eastern Seaboard the US Government is forced to trust a trio of mischievous soldiers, specialized in piloting gigantic robots, to defend America.
Anthony 'Treach' Criss,
Survivors escape to a deserted atoll, after their boat during a Semester at Sea ship is sunk by a mutated two-headed shark. But when the atoll starts flooding, no one is safe from the double jaws of the monster.
When a colossal tectonic shift causes the sea level to start rising, a microbiologist gathers the DNA of as many species as she can, while the military creates an "ark" in a desperate attempt to preserve life on Earth.
At 1:26:54 we see Benjamin Robbins' framed diploma from the Sam Houston Institute of Technology. The initials form the unfortunate acronym S.H.I.T. See more »
Benjamin Robbins: "The fridge is zero degrees Fahrenheit". 0°F is -17C. The "fridge" (which had just had a bottle of water removed from it and drunk) would be a freezer, and the water would be frozen. Fridges are typically 2-4C (25-40°F). See more »
Written and performed by Christopher Cano See more »
Have made no secret in the past of intensely disliking, and even outright hating a lot, a vast majority of The Asylum's (near-universally maligned for good reason) output, though there is curiosity as to whether they are capable of making something good and compulsive about their output's badness. Admittedly, The Asylum do have a small group of watchable films and the occasional (big emphasis on that word) above average one, unfortunately outweighed by the lacklustre at best and often dreadful films they churn out.
After seeing 'Alien Convergence', giving it a fair chance and trying to not let bias get the better of me, as much as it actually pains me to say it do agree with everybody else who not only found it an awful film but also one of The Asylum's worst. One of their most amateurish and intelligence-insulting certainly, all their trademark flaws are here in 'Alien Convergence'.
Just for the record, giving a film the lowest possible rating is incredibly rare for me these days (until seeing 'Geo-Disaster' a few days ago had not given out the rating in weeks), trying to be a fair reviewer trying to see the good in everything viewed. That rating is only reserved for films etc. that look like no effort or heart was put into it and like nobody was trying, a cardinal sin in film but actually not committed all that often. 'Alien Convergence' is one of the worst examples of this in recent memory.
Visually, 'Alien Convergence' looks incredibly cheap even for something made on a low budget. It's very drably and sometimes dizzyingly shot, incoherently edited (bacon-slicer-like) with glaring and unforgivably sloppy continuity errors and even the scenery doesn't make much impression despite being actually the least bad aspect of the film. Even worse are some of the most laughable and pathetic-looking special effects to be seen on celluloid, actually looking they were done as an afterthought and on the small remainder of the money they had left.
Can remember little about the music, which tended to be intrusive, annoying and out of place. The dialogue is utter gibberish and truly juvenile and unnatural, even by The Asylum standards and even in their best efforts the script is one of the weaker assets. How it was approved beyond first draft is beyond comprehension.
There is absolutely nothing thrilling, tense, suspenseful, emotionally investable or fun about the story. The predictability may have been forgivable if the film was actually engaging let alone exciting but it fails to be either throughout. Lets not get started on how insultingly nonsensical and ridiculous it is, things similarly are so vague and confused that coherence was also a major issue in places. The conflict had no urgency, imagination, fun or menace at all, it was all just dull and dumb.
As sort of expected, as it is a trademark of The Asylum it seems, there are illogical and irritating character behaviours that makes one endear to them even less in a film with not one interesting or rootable character. There is not one halfway decent performance either, almost like they weren't even trying.
Overall, awful with nothing redeeming about it, except that it is not quite as blatantly derivative as other Asylum efforts. 1/10 Bethany Cox
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