IMDb RATING
5.5/10
9.5K
YOUR RATING
After a doctor is called to visit a crumbling manor, strange things begin to occur.After a doctor is called to visit a crumbling manor, strange things begin to occur.After a doctor is called to visit a crumbling manor, strange things begin to occur.
IMDb RATING
5.5/10
9.5K
YOUR RATING
- Director
- Writers
- Lucinda Coxon(screenplay)
- Sarah Waters(based on: "The Little Stranger" by)
- Stars
Top credits
- Director
- Writers
- Lucinda Coxon(screenplay)
- Sarah Waters(based on: "The Little Stranger" by)
- Stars
- Awards
- 5 nominations
Videos6
Oliver Zetterström
- Young Faradayas Young Faraday
- (as Oliver Zetterstrom)
- Director
- Writers
- Lucinda Coxon(screenplay)
- Sarah Waters(based on: "The Little Stranger" by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
THE LITTLE STRANGER tells the story of Dr. Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants - mother, son and daughter - are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family's story is about to become entwined with his own. —Focus Features
- Taglines
- These Delusions Are Contagious
- Genres
- Motion Picture Rating (MPAA)
- Rated R for some disturbing bloody images
- Parents guide
Did you know
- TriviaWill Poulter spent 5-6 hours every day in the make-up chair getting his burn prosthetics applied, and another hour getting it removed. He said that he actually found the hour-long removal more uncomfortable than all the hours of putting it on.
- GoofsEarly on, Domhnall Gleeson's character confesses to having "snuck up" into the house once as a child. No Brit of the time would have said "snuck", which is an Americanism that has only recently been creeping into British English. "Sneaked up" or "sneaked in".
- ConnectionsFeatured in Film 24: Episode dated 21 September 2018 (2018)
- SoundtracksOyster Girl
Traditional
Published by Pathé Productions Limited administered by EMI Music Publishing
Arranged and Performed by Saul Rose
Top review
Stiff, claustrophobic horror drama with meager results
What can you say about a film that feels hours longer than it actually is? One thing I would declare without apology is that it better have a powerful resolution. In other words, a film that feels so arduous to get through better be that way for a good reason. Because if it doesn't have a solid payoff, then what was the point of making the audience sit through endless stretches of nothingness? That's what is done here too often.
A film that is sluggish, dour and interminable is not going to get much recognition for anything, even if the cast does a decent job. Here, Domhnall Gleeson is a British doctor who comes to an old estate owned by a wealthy aristocratic family, one that he came to know as a child. Gleeson does his best with the sandpaper-dry screenplay, but his efforts are for naught. Director Lenny Abrahamson appears to have taken too deliberate an approach. There's nothing wrong with a film relying on subtle horror, as this is based on a novel. The problem is, a big chunk of the film is so sedate that one will either be starved for interest by the time things pick up or will just plain want the film to end as I did. The film's lethargy made me check the time, something I never do anymore. It simply took too long for anything to happen here.
Notwithstanding my respect for the talent involved in this film, I decline to recommend it as it had me begging for the closing credits to run. An ending to a film has rarely felt so far away as it did here.
A film that is sluggish, dour and interminable is not going to get much recognition for anything, even if the cast does a decent job. Here, Domhnall Gleeson is a British doctor who comes to an old estate owned by a wealthy aristocratic family, one that he came to know as a child. Gleeson does his best with the sandpaper-dry screenplay, but his efforts are for naught. Director Lenny Abrahamson appears to have taken too deliberate an approach. There's nothing wrong with a film relying on subtle horror, as this is based on a novel. The problem is, a big chunk of the film is so sedate that one will either be starved for interest by the time things pick up or will just plain want the film to end as I did. The film's lethargy made me check the time, something I never do anymore. It simply took too long for anything to happen here.
Notwithstanding my respect for the talent involved in this film, I decline to recommend it as it had me begging for the closing credits to run. An ending to a film has rarely felt so far away as it did here.
helpful•7431
- PotassiumMan
- Sep 4, 2018
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Küçük Yabancı
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $713,143
- Opening weekend US & Canada
- $401,563
- Sep 2, 2018
- Gross worldwide
- $1,824,902
- Runtime
- 1h 51min
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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