"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
Emanuel spends his days at a sanatorium. Falling in love with another patient, he narrates his and his fellow patients' attempts to live life to the fullest as their bodies slowly fade away, but their minds refuse to give up.
Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter... See full summary »
It is the story of Mugur Calinescu, a Romanian teenager who wrote graffiti messages of protest against the regime of dictator Nicolae Ceausescu and was subsequently apprehended, interrogated, and ultimately crushed by the secret police.
This is a documentary essay composed entirely of archive photographs and documents of the first big massacre of the Jews in Romania: in the city of Iasi, on the 29th of June 1941, more than... See full synopsis »
In 1924, 14-year-old Franz Weintraub and his parents--along with some 60,000 other Jews--moved to the Jewish area of Leopoldstadt in Vienna, Austria. A journalist and gifted storyteller, ... See full summary »
Considering that his life is a failure, a man records himself leaving a video-message to his loved ones. After this message, which tackles, in funny and sad ways, a lot of issues, both ... See full summary »
"The Dead Nation" is a documentary-essay, which shows a stunning collection of photographs from a Romanian small town in the 1930's and 1940's. The soundtrack, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, shows us what the photographs do not: the rising of the anti-Semitism and eventually a harrowing depiction of the Romanian Holocaust, a topic which is not very talked about in the contemporary Romanian society.Written by
It so happens (and maybe it was not just a coincidence) that I have seen 'The Dead Nation' ('Tara moarta' in Romanian) at the Haifa International Film Festival the very day that is declared in Romania as the National Holocaust Day. I saw the film in a hall where maybe one half of the viewers were survivors of the Holocaust or their immediate descendants. This very special documentary created by Radu Jude is part of a still open debate in Romania about the role and responsibility of its leaders and people in the Holocaust. It's the kind of event that cannot be judged only from the perspective of the film fan, because it includes so much history, politics and emotional charge.
Radu Jude shows again that he is a director who does not run away from controversy and who is not afraid of inventing new ways to put on screen his ideas and the messages that he considers as important. 'The Dead Nation' covers the years 1936 to 1944, the darkest period in the history of Romania and in the history of the Jewish community in this country, which counted almost one million people prior to WWII. While the country fell into nationalistic dictatorship, became an ally of Nazi Germany, implemented racial laws, and deported part of its Jewish population in ghettos and forced labor camps in occupied Russia and Ukraine, it also lost part of its territory to the neighboring USSR and Hungary, with the Jews being considered and scapegoats. However, there is no direct footage on screen about what happened. Instead, the director used a collection of photographs recovered from a photo studio in a small dusty town in South Romania of the epoch. Instead of pogroms, ghettos and death trains we see on screen the peasants, soldiers, nationalist militants in their festive but also daily lives occasions. And riffles. Many, many riffles. The soundtrack is more sophisticated, composed from a combination of nationalist Romanian songs, news reels commentary, speeches of the politicians of the time alternated with reading from the daily journal of a Jewish doctor - deprived of all rights, subject to fear, abuses, persecution. The message is the one of 'parallel lives'.
'The Dead Nation' lets the viewers make their own judgment, there is no off-screen comment that guides, explains, tries to make explicit points. There are no moving images, just a collection of stills pictures from the Acsinte collection of photographs. Viewers are left to judge by themselves. It belongs to a category of itself, maybe the only similar documentary that I can compare this film with is Claude Lanzmann's 'Shoah'. I can only wish that the public impact and contribution in understanding and assuming the dark history of the Holocaust will be - from the Romanian perspective - similar.
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