Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.
After pursuing Kevin Wendell Crumb and the multiple identities that reside within. David Dunn finds himself locked in a mental hospital alongside his archenemy, Elijah Price. He must now contend with a psychiatrist who is out to prove the trio do not actually possess superhuman abilitiesWritten by
The comic book theme was first introduced in Unbreakable (2000), and alliteration is frequently seen in the names of comic book characters (Peter Parker, Bruce Banner, et cetera). This movie follows this theme with superhero David Dunn. See more »
Elijah's scars are shown as a long line with several small lines crossing over it at regular intervals - these are meant to depict sutures from a surgery. However, an actual scar heals as a line bordered by dots, as only the places pierced by the needle would leave a scar. It is only suture material that crosses perpendicular to the original trauma line, which would leave no lasting mark. See more »
We keep bringing him sacred food, and nothing's happening. I... The Beast, he showed himself twice to the masses of the broken and-and they're not believing. There's no revolution. I...
Dennis, do not be scared. You have to trust me, as you always have.
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In the closing credits, James McAvoy is credited for playing ALL of his aliases/personalities, rather than just one name. See more »
This is a thinking person's movie. It's largely dialogue heavy and not afraid to take its time. It's a movie that takes itself seriously. It's the kind of smart movie that confuses critics who prefer light easy-to-digest popcorn entertainment. When it shifts into full thriller or action mode, brace yourself, because it gets totally intense.
Director Shyamalan doesn't get much respect from the critics, but screw the critics, he did brilliantly here from writing to directing.
And James McAvoy deserves every acting award for 2019. Might as well just give him all of them now, best actor, best actress, best child actor, etc., all of them, because no one's topping this performance.
And about the action, I saw director Shyamalan talking in an interview about how he's mainly interested in drama and that action is not his strong point, but he was really downplaying his handling of the action, because the fight scenes here are legitimately awesome. Glass thankfully features none of the shaky rapid-editing style that plagues so many other action movies. It is all well shot, so you'll have no trouble following the action. We even see lots of unusually artistic camera shots during the action, such as showing long close up shots of people's faces while they're in the middle of fighting. My favorite was a long held shot from the point of view of being inside a van while we're seeing a fight happening outside, as the combatants are circling around and slamming into the van. That was just plain cool, the kind of shot that's just mind-boggling to think about how they managed to pull it off.
And don't trust the rotten critics. Just don't. They're so worthless, those critics. They're wrong about almost every movie these days. Glass just continues the critics' rotten streak of being totally out of touch with what's really good or bad.
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